An Essay on the History of Civil Society, 8th edition | Page 4

Adam Ferguson
the hand, [Footnote: Trait�� de l'esprit.] nor the continued intercourse with this sovereign artist, has enabled any other species to blend their nature or their inventions with his; that, in his rudest state, he is found to be above them; and in his greatest degeneracy, never descends to their level. He is, in short, a man in every condition; and we can learn nothing of his nature from the analogy of other animals. If we would know him, we must attend to himself, to the course of his life, and the tenor of his conduct. With him the society appears to be as old as the individual, and the use of the tongue as universal as that of the hand or the foot. If there was a time in which he had his acquaintance with his own species to make, and his faculties to acquire, it is a time of which we have no record, and in relation to which our opinions can serve no purpose, and are supported by no evidence.
We are often tempted into these boundless regions of ignorance or conjecture, by a fancy which delights in creating rather than in merely retaining the forms which are presented before it: we are the dupes of a subtilty, which promises to supply every defect of our knowledge, and, by filling up a few blanks in the story of nature, pretends to conduct our apprehension nearer to the source of existence. On the credit of a few observations, we are apt to presume, that the secret may soon be laid open, and that what is termed wisdom in nature, may be referred to the operation of physical powers. We forget that physical powers employed in succession or together, and combined to a salutary purpose, constitute those very proofs of design from which we infer the existence of God; and that this truth being once admitted, we are no longer to search for the source of existence; we can only collect the laws which the Author of nature has established; and in our latest as well as our earliest discoveries, only perceive a mode of creation or providence before unknown.
We speak of art as distinguished from nature; but art itself is natural to man. He is in some measure the artificer of his own frame, as well as of his fortune, and is destined, from the first age of his being, to invent and contrive. He applies the same talents to a variety of purposes, and acts nearly the same part in very different scenes. He would be always improving on his subject, and he carries this intention wherever he moves, through the streets of the populous city, or the wilds of the forest. While he appears equally fitted to every condition, he is upon this account unable to settle in any. At once obstinate and fickle, he complains of innovations, and is never sated with novelty. He is perpetually busied in reformations, and is continually wedded to his errors. If he dwells in a cave, he would improve it into a cottage; if he has already built, he would still build to a greater extent. But he does, not propose to make rapid and hasty transitions; his steps are progressive and slow; and his force, like the power of a spring, silently presses on every resistance; an effect is sometimes produced before the cause is perceived; and with all his talent for projects, his work is often accomplished before the plan is devised. It appears, perhaps, equally difficult to retard or to quicken his pace; if the projector complain he is tardy, the moralist thinks him unstable; and whether his motions be rapid or slow, the scenes of human affairs perpetually change in his management: his emblem is a passing stream, not a stagnating pool. We may desire to direct his love of improvement to its proper object, we may wish for stability of conduct; but we mistake human nature, if we wish for a termination of labour, or a scene of repose.
The occupations of men, in every condition, bespeak their freedom of choice, their various opinions, and the multiplicity of wants by which they are urged: but they enjoy, or endure, with a sensibility, or a phlegm, which are nearly the same in every situation. They possess the shores of the Caspian, or the Atlantic, by a different tenure, but with equal ease. On the one they are fixed to the soil, and seem to be formed for, settlement, and the accommodation of cities: the names they bestow on a nation, and on its territory, are the same. On the other they are mere animals of passage, prepared to roam on the face of the earth, and with their herds, in search of new pasture and favourable seasons, to
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