modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word pro- cessing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
[email protected]
AN ENEMY OF THE PEOPLE
by Henrik Ibsen
Translated by R Farquharson Sharp
AN ENEMY OF THE PEOPLE
A play in five acts
DRAMATIS PERSONAE
Dr. Thomas Stockmann, Medical Officer of the Municipal Baths. Mrs. Stockmann, his wife. Petra (their daughter) a teacher. Ejlif & Morten (their sons, aged 13 and 10 respectively). Peter Stockmann (the Doctor's elder brother), Mayor of the Town and Chief Constable, Chairman of the Baths' Committee, etc. Morten Kiil, a tanner (Mrs. Stockmann's adoptive father). Hovstad, editor of the "People's Messenger." Billing, sub-editor. Captain Horster. Aslaksen, a printer. Men of various conditions and occupations, a few women, and a troop of schoolboys--the audience at a public meeting.
The action takes place in a coastal town in southern Norway,
AN ENEMY OF THE PEOPLE
ACT I
(SCENE.--DR. STOCKMANN'S sitting-room. It is evening. The room is plainly but neatly appointed and furnished. In the right-hand wall are two doors; the farther leads out to the hall, the nearer to the doctor's study. In the left-hand wall, opposite the door leading to the hall, is a door leading to the other rooms occupied by the family. In the middle of the same wall stands the stove, and, further forward, a couch with a looking-glass hanging over it and an oval table in front of it. On the table, a lighted lamp, with a lampshade. At the back of the room, an open door leads to the dining-room. BILLING is seen sitting at the dining table, on which a lamp is burning. He has a napkin tucked under his chin, and MRS. STOCKMANN is standing by the table handing him a large plate-full of roast beef. The other places at the table are empty, and the table somewhat in disorder, evidently a meal having recently been finished.)
Mrs. Stockmann. You see, if you come an hour late, Mr. Billing, you have to put up with cold meat.
Billing (as he eats). It is uncommonly good, thank you-- remarkably good.
Mrs. Stockmann. My husband makes such a point of having his meals punctually, you know.
Billing. That doesn't affect me a bit. Indeed, I almost think I enjoy a meal all the better when I can sit down and eat all by myself, and undisturbed.
Mrs. Stockmann. Oh well, as long as you are enjoying it--. (Turns to the hall door, listening.) I expect that is Mr. Hovstad coming too.
Billing. Very likely.
(PETER STOCKMANN comes in. He wears an overcoat and his official hat, and carries a stick.)
Peter Stockmann. Good evening, Katherine.
Mrs. Stockmann (coming forward into the sitting-room). Ah, good evening--is it you? How good of you to come up and see us!
Peter Stockmann. I happened to be passing, and so--(looks into the dining-room). But you have company with you, I see.
Mrs. Stockmann (a little embarrassed). Oh, no--it was quite by chance he came in. (Hurriedly.) Won't you come in and have something, too?
Peter Stockmann. I! No, thank you. Good gracious--hot meat at night! Not with my digestion,
Mrs. Stockmann. Oh, but just once in a way--
Peter Stockmann. No, no, my dear lady;