all for me. If you do I will go away again. Promise me, will you not?"
"Very well, dear. But you know you are the dearest girl in the world." And so they kissed, and agreed that Mrs. Wyndham should go out, and that Sybil should stay at home.
Mrs. Wyndham was really a very kind-hearted woman and a loving friend. That might be the reason why she was never popular. Popularity is a curious combination of friendliness and indifference, but very popular people rarely have devoted friends, and still more rarely suffer great passions. Everybody's friend is far too apt to be nobody's, for it is impossible to rely on the support of a person whose devotion is liable to be called upon a hundred times a day, from a hundred different quarters. The friendships that mean anything mean sacrifice for friendship's sake; and a man or a woman really ready to make sacrifices for a considerable number of people is likely to be asked to do it very often, and to be soon spent in the effort to be true to every one.
But popularity makes no great demands. The popular man is known to be so busy in being popular that his offenses of omission are readily pardoned. His engagements are legion, his obligations are innumerable, and far more than he can fulfill. But, meet him when you will, his smile is as bright, his greeting as cordial, and his sayings as universally good-natured and satisfactory as ever. He has acquired the habit of pleasing, and it is almost impossible for him to displease. He enjoys it all, is agreeable to every one, and is never expected to catch cold in attending a friend's funeral, or otherwise to sacrifice his comfort, because he is quite certain to have important engagements elsewhere, in which the world always believes. There is probably no individual more absolutely free and untrammeled than the thoroughly popular man.
CHAPTER II.
Fate, the artist, mixes her own colors. She grinds them with a pestle in the fashion of the old masters, and out of the most strange pigments she produces often only soft neutral tints for background and shadow, kneading a vast deal of bright colors away among the grays and browns; but now and then she takes a palette loaded with strong paint, and a great brush, and splashes a startling full length portrait upon the canvas, without much regard for drawing or general composition, but with very startling effect. To paint well needs life-long study; to paint so as merely to attract attention needs courage and a heart hardened against artistic sensitiveness.
John Harrington was a high light against the mezzotint of his surroundings. He was a constant source of interest, and not infrequently of terror, to the good town of Boston. True, he was a Bostonian himself, a chip of the old block, whose progenitors had lived in Salem, and whose very name breathed Pilgrim memories. He even had a teapot that had come over in the Mayflower. This was greatly venerated, and whenever John Harrington said anything more than usually modern, his friends brandished the teapot, morally speaking, in his defense, and put it in the clouds as a kind of rainbow--a promise that Puritan blood could not go wrong. Nevertheless, John Harrington continued to startle his fellow-townsmen by his writings and sayings, so that many of the grave sort shook their heads and swore that he sympathized with the Irish and believed in Chinese labor.
As a matter-of-fact, he did not mince matters. Endowed with unbounded courage and an extraordinary command of language, when he got upon his feet he spoke his mind in a way that was good to hear. Moreover, he had the strong oratorical temperament that forces attention and commands men in a body. He said that things were wrong and should be put right; and when he had said so for half an hour to a couple of thousand people, most of them were ready to follow him out of the hall and go and put things right on the spot, with their own hands. As yet the opportunity had not offered for proceeding in so simple a manner, but the aforesaid Bostonians of the graver sort said that John Harrington would some day be seen heading a desperate mob of socialists in an assault upon the State House. What he had to do with socialism, or to what end he should thus fiercely invade the headquarters of all earthly respectability, was not exactly apparent, but the picture thus evoked in the minds of the solemn burghers satisfactorily defined for them the personality of the man, and they said it and said it again.
It was somewhat remarkable that he had never been called clever. At first he was regarded as a fool
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