shamed that such means must be employed to pay his just dues, but since it had to be he could not absent himself.
There was no parlor in the church, and not long after the infamous exit of Andrew Bolton the town hall had been destroyed by fire. Therefore all such functions were held in a place which otherwise was a source of sad humiliation to its owner: Mrs. Amos Whittle, the deacon's wife's unfurnished best parlor. It was a very large room, and poor Mrs. Whittle had always dreamed of a fine tapestry carpet, furniture upholstered with plush, a piano, and lace curtains.
Her dreams had never been realized. The old tragedy of the little village had cropped dreams, like a species of celestial foliage, close to their roots. Poor Mrs. Whittle, although she did not realize it, missed her dreams more than she would have missed the furniture of that best parlor, had she ever possessed and lost it. She had come to think of it as a room in one of the "many mansions," although she would have been horrified had she known that she did so. She was one who kept her religion and her daily life chemically differentiated. She endeavored to maintain her soul on a high level of orthodoxy, while her large, flat feet trod her round of household tasks. It was only when her best parlor, great empty room, was in demand for some social function like the church fair, that she felt her old dreams return and stimulate her as with some wine of youth.
The room was very prettily decorated with blossoming boughs, and Japanese lanterns, and set about with long tables covered with white, which contained the articles for sale. In the center of the room was the flower-booth, and that was lovely. It was a circle of green, with oval openings to frame young girl-faces, and on the circular shelf were heaped flowers in brilliant masses. At seven o'clock the fair was in full swing, as far as the wares and saleswomen were concerned. At the flower-booth were four pretty girls: Fanny Dodge, Ellen Dix, Joyce Fulsom and Ethel Mixter. Each stood looking out of her frame of green, and beamed with happiness in her own youth and beauty. They did not, could not share the anxiety of the older women. The more anxious gathered about the cake table. Four pathetically bedizened middle-aged creatures, three too stout, one too thin, put their heads together in conference. One woman was Mrs. Maria Dodge, Fanny's mother, one was Mrs. Amos Dix, one was Mrs. Deacon Whittle, and one was unmarried.
She was the stoutest of the four, tightly laced in an ancient silk, with frizzed hair standing erect from bulging temples. She was Lois Daggett, and a tragedy. She loved the young minister, Wesley Elliot, with all her heart and soul and strength. She had fastened, to attract his admiration, a little bunch of rose geranium leaves and heliotrope in her tightly frizzed hair. That little posy had, all unrecognized, a touching pathos. It was as the aigrette, the splendid curves of waving plumage which birds adopt in the desire for love. Lois had never had a lover. She had never been pretty, or attractive, but always in her heart had been the hunger for love. The young minister seemed the ideal of all the dreams of her life. He was as a god to her. She trembled under his occasional glances, his casual address caused vibrations in every nerve. She cherished no illusions. She knew he was not for her, but she loved and worshipped, and she tucked on an absurd little bow of ribbon, and she frizzed tightly her thin hair, and she wore little posies, following out the primitive instinct of her sex, even while her reason lagged behind. If once Wesley should look at that pitiful little floral ornament, should think it pretty, it would have meant as much to that starved virgin soul as a kiss--to do her justice, as a spiritual kiss. There was in reality only pathos and tragedy in her adoration. It was not in the least earthy, or ridiculous, but it needed a saint to understand that. Even while she conferred with her friends, she never lost sight of the young man, always hoped for that one fleeting glance of approbation.
When her sister-in-law, Mrs. Daggett, appeared, she restrained her wandering eyes. All four women conferred anxiously. They, with Mrs. Solomon Black, had engineered the fair. Mrs. Black had not yet appeared and they all wondered why. Abby Daggett, who had the expression of a saint--a fleshy saint, in old purple muslin--gazed about her with admiration.
"Don't it look perfectly lovely!" she exclaimed.
Mrs. Whittle fairly snapped at her, like an angry old dog. "Lovely!" said she with a
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