American Addresses, with a Lecture on the Study of Biology | Page 3

the general features of our planet might remain what they are. And inasmuch as, under these circumstances, there need be no limit to the propagation of animals and plants, it is clear that the consistent working-out of the uniformitarian idea might lead to the conception of the eternity of the world. Not that I mean to say that either Hutton or Lyell held this conception--assuredly not; they would have been the first to repudiate it. Nevertheless, the logical development of their arguments tends directly towards this hypothesis.
The second hypothesis supposes that the present order of things, at some no very remote time, had a sudden origin, and that the world, such as it now is, had chaos for its phenomenal antecedent. That is the doctrine which you will find stated most fully and clearly in the immortal poem of John Milton--the English _Divina Commedia--Paradise Lost_. I believe it is largely to the influence of that remarkable work, combined with the daily teachings to which we have all listened in our childhood, that this hypothesis owes its general wide diffusion as one of the current beliefs of English-speaking people. If you turn to the seventh book of Paradise Lost, you will find there stated the hypothesis to which I refer, which is briefly this: That this visible universe of ours came into existence at no great distance of time from the present; and that the parts of which it is composed made their appearance, in a certain definite order, in the space of six natural days, in such a manner that, on the first of these days, light appeared; that, on the second, the firmament, or sky, separated the waters above, from the waters beneath the firmament; that, on the third day, the waters drew away from the dry land, and upon it a varied vegetable life, similar to that which now exists, made its appearance; that the fourth day was signalised by the apparition of the sun, the stars, the moon, and the planets; that, on the fifth day, aquatic animals originated within the waters; that, on the sixth day, the earth gave rise to our four-footed terrestrial creatures, and to all varieties of terrestrial animals except birds, which had appeared on the preceding day; and, finally, that man appeared upon the earth, and the emergence of the universe from chaos was finished. Milton tells us, without the least ambiguity, what a spectator of these marvellous occurrences would have witnessed. I doubt not that his poem is familiar to all of you, but I should like to recall one passage to your minds, in order that I may be justified in what I have said regarding the perfectly concrete, definite picture of the origin of the animal world which Milton draws. He says:--
"The sixth, and of creation last, arose With evening harps and matin, when God said, 'Let the earth bring forth soul living in her kind, Cattle and creeping things, and beast of the earth, Each in their kind!' The earth obeyed, and, straight Opening her fertile womb, teemed at a birth Innumerous living creatures, perfect forms, Limbed and full-grown. Out of the ground uprose, As from his lair, the wild beast, where he wons In forest wild, in thicket, brake, or den; Among the trees in pairs they rose, they walked; The cattle in the fields and meadows green; Those rare and solitary; these in flocks Pasturing at once, and in broad herds upsprung. The grassy clods now calved; now half appears The tawny lion, pawing to get free His hinder parts--then springs, as broke from bonds, And rampant shakes his brinded mane; the ounce, The libbard, and the tiger, as the mole Rising, the crumbled earth above them threw In hillocks; the swift stag from underground Bore up his branching head; scarce from his mould Behemoth, biggest born of earth, upheaved His vastness; fleeced the flocks and bleating rose As plants; ambiguous between sea and land, The river-horse and scaly crocodile. At once came forth whatever creeps the ground, Insect or worm."
There is no doubt as to the meaning of this statement, nor as to what a man of Milton's genius expected would have been actually visible to an eye-witness of this mode of origination of living things.
The third hypothesis, or the hypothesis of evolution, supposes that, at any comparatively late period of past time, our imaginary spectator would meet with a state of things very similar to that which now obtains; but that the likeness of the past to the present would gradually become less and less, in proportion to the remoteness of his period of observation from the present day; that the existing distribution of mountains and plains, of rivers and seas, would show itself to be the product of a slow process of natural