Alps and Sanctuaries of Piedmont and the Canton Ticino | Page 3

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This etext was prepared by David Price, email [email protected] from the 1913 A. C. Fifield edition with some portions taken from the 1881 edition. Many thanks to Paul Schwoerer for his invaluable help in locating an 1881 edition for UK copyright clearance.

ALPS AND SANCTUARIES OF PIEDMONT AND THE CANTON TICINO
by Samuel Butler

Author's Preface to First Edition

I should perhaps apologise for publishing a work which professes to deal with the sanctuaries of Piedmont, and saying so little about the most important of them all--the Sacro Monte of Varallo. My excuse must be, that I found it impossible to deal with Varallo without making my book too long. Varallo requires a work to itself; I must, therefore, hope to return to it on another occasion.
For the convenience of avoiding explanations, I have treated the events of several summers as though they belonged to only one. This can be of no importance to the reader, but as the work is chronologically inexact, I had better perhaps say so.
The illustrations by Mr. H. F. Jones are on pages 95, 211, 225, 238, 254, 260. The frontispiece and the illustrations on the title-page and on pages 261, 262 are by Mr. Charles Gogin. There are two drawings on pages 136, 137 by an Italian gentleman whose name I have unfortunately lost, and whose permission to insert them I have, therefore, been unable to obtain, and one on page 138 by Signor Gaetano Meo. The rest are mine, except that all the figures in my drawings are in every case by Mr. Charles Gogin, unless when they are merely copied from frescoes or other sources. The two larger views of Oropa are chiefly taken from photographs. The rest are all of them from studies taken upon the spot.
I must acknowledge the great obligations I am under to Mr. H. F. Jones as regards the letterpress no less than the illustrations; I might almost say that the book is nearly as much his as mine, while it is only through the care which he and another friend have exercised in the revision of my pages that I am able to let them appear with some approach to confidence.
November, 1881.

CHAPTER I
--Introduction

Most men will readily admit that the two poets who have the greatest hold over Englishmen are Handel and Shakespeare--for it is as a poet, a sympathiser with and renderer of all estates and conditions whether of men or things, rather than as a mere musician, that Handel reigns supreme. There have been many who have known as much English as Shakespeare, and so, doubtless, there have been no fewer who have known as much music as Handel: perhaps Bach, probably Haydn, certainly Mozart; as likely as not, many a known and unknown musician now living; but the poet is not known by knowledge alone--not by gnosis only--but also, and in greater part, by the agape which makes him wish to