Alice Adams | Page 5

the surface here, for though she spoke with what seemed but a casual cheerfulness, there was a little betraying break in her voice, a trembling just perceptible in the utterance of the final word. And she still kept up the affectation of being helpfully preoccupied with the table, and did not look at her husband-- perhaps because they had been married so many years that without looking she knew just what his expression would be, and preferred to avoid the actual sight of it as long as possible. Meanwhile, he stared hard at her, his lips beginning to move with little distortions not lacking in the pathos of a sick man's agitation.
"So that's it," he said. "That's what you're hinting at."
"'Hinting?' " Mrs. Adams looked surprised and indulgent. "Why, I'm not doing any hinting, Virgil."
"What did you say about my finding 'something good to get into?'" he asked, sharply. "Don't you call that hinting?"
Mrs. Adams turned toward him now; she came to the bedside and would have taken his hand, but he quickly moved it away from her.
"You mustn't let yourself get nervous," she said. "But of course when you get well there's only one thing to do. You mustn't go back to that old hole again."
"'Old hole?' That's what you call it, is it?" In spite of his weakness, anger made his voice strident, and upon this stimulation she spoke more urgently.
"You just mustn't go back to it, Virgil. It's not fair to any of us, and you know it isn't."
"Don't tell me what I know, please!"
She clasped her hands, suddenly carrying her urgency to plaintive entreaty. "Virgil, you WON'T go back to that hole?"
"That's a nice word to use to me!" he said. "Call a man's business a hole!"
"Virgil, if you don't owe it to me to look for something different, don't you owe it to your children? Don't tell me you won't do what we all want you to, and what you know in your heart you ought to! And if you HAVE got into one of your stubborn fits and are bound to go back there for no other reason except to have your own way, don't tell me so, for I can't bear it!"
He looked up at her fiercely. "You've got a fine way to cure a sick man!" he said; but she had concluded her appeal--for that time--and instead of making any more words in the matter, let him see that there were tears in her eyes, shook her head, and left the room.
Alone, he lay breathing rapidly, his emaciated chest proving itself equal to the demands his emotion put upon it. "Fine!" he repeated, with husky indignation. "Fine way to cure a sick man! Fine!" Then, after a silence, he gave forth whispering sounds as of laughter, his expression the while remaining sore and far from humour.
"And give us our daily bread!" he added, meaning that his wife's little performance was no novelty.
CHAPTER II
In fact, the agitation of Mrs. Adams was genuine, but so well under her control that its traces vanished during the three short steps she took to cross the narrow hall between her husband's door and the one opposite. Her expression was matter-of-course, rather than pathetic, as she entered the pretty room where her daughter, half dressed, sat before a dressing-table and played with the reflections of a three-leafed mirror framed in blue enamel. That is, just before the moment of her mother's entrance, Alice had been playing with the mirror's reflections--posturing her arms and her expressions, clasping her hands behind her neck, and tilting back her head to foreshorten the face in a tableau conceived to represent sauciness, then one of smiling weariness, then one of scornful toleration, and all very piquant; but as the door opened she hurriedly resumed the practical, and occupied her hands in the arrangement of her plentiful brownish hair.
They were pretty hands, of a shapeliness delicate and fine. "The best things she's got!" a cold- blooded girl friend said of them, and meant to include Alice's mind and character in the implied list of possessions surpassed by the notable hands. However that may have been, the rest of her was well enough. She was often called "a right pretty girl"--temperate praise meaning a girl rather pretty than otherwise, and this she deserved, to say the least. Even in repose she deserved it, though repose was anything but her habit, being seldom seen upon her except at home. On exhibition she led a life of gestures, the unkind said to make her lovely hands more memorable; but all of her usually accompanied the gestures of the hands, the shoulders ever giving them their impulses first, and even her feet being called upon, at the same time, for eloquence.
So much liveliness took proper place as only