Actions and Reactions | Page 6

Empire might be better than Heppelwhite?
Dull gold against that pale green? It's a pity they don't make spinets
nowadays."
"I believe you can get them. Look at that oak wood behind the pines."
"'While you sat and played toccatas stately, at the clavichord,"' Sophie
hummed, and, head on one; side, nodded to where the perfect mirror
should hang:
Then they found bedrooms with dressing-rooms and powdering-closets,
and steps leading up and down--boxes of rooms, round, square, and
octagonal, with enriched ceilings and chased door-locks.
"Now about servants. Oh!" She had darted up the last stairs to the
chequered darkness of the top floor, where loose tiles lay among

broken laths, and the walls were scrawled with names, sentiments, and
hop records. "They've been keeping pigeons here," she cried.
"And you could drive a buggy through the roof anywhere," said
George.
"That's what I say," the old man cried below them on the stairs. "Not a
dry place for my pigeons at all."
"But why was it allowed to get like this?" said Sophie.
"Tis with housen as teeth," he replied. "Let 'em go too far, and there's
nothing to be done. Time was they was minded to sell her, but none
would buy. She was too far away along from any place. Time was
they'd ha' lived here theyselves, but they took and died."
"Here?" Sophie moved beneath the light of a hole in the roof.
"Nah--none dies here excep' falling off ricks and such. In London they
died." He plucked a lock of wool from his blue smock. "They was no
staple--neither the Elphicks nor the Moones. Shart and brittle all of 'em.
Dead they be seventeen year, for I've been here caretakin' twenty-five."
"Who does all the wool belong to downstairs?" George asked.
"To the estate. I'll show you the back parts if ye like. You're from
America, ain't ye? I've had a son there once myself." They followed
him down the main stairway. He paused at the turn and swept one hand
toward the wall. "Plenty room, here for your coffin to come down.
Seven foot and three men at each end wouldn't brish the paint. If I die
in my bed they'll 'ave to up-end me like a milk-can. 'Tis all luck, dye
see?"
He led them on and on, through a maze of back kitchens, dairies,
larders, and sculleries, that melted along covered ways into a
farm-house, visibly older than the main building, which again rambled
out among barns, byres, pig-pens, stalls and stables to the dead fields
behind.
"Somehow," said Sophie, sitting exhausted on an ancient
well-curb--"somehow one wouldn't insult these lovely old things by
filling them with hay."
George looked at long stone walls upholding reaches of silvery-oak
weather-boarding; buttresses of mixed flint and bricks; outside stairs,
stone upon arched stone; curves of thatch where grass sprouted;
roundels of house-leeked tiles, and a huge paved yard populated by two
cows and the repentant Rambler. He had not thought of himself or of

the telegraph office for two and a half hours.
"But why," said Sophie, as they went back through the crater of
stricken fields,--" why is one expected to know everything in England?
Why do they never tell?"
"You mean about the Elphicks and the Moones?" he answered.
"Yes--and the lawyers and the estate. Who are they? I wonder whether
those painted floors in the green room were real oak. Don't you like us
exploring things together--better than Pompeii?"
George turned once more to look at the view. "Eight hundred acres go
with the house--the old man told me. Five farms altogether. Rocketts is
one of 'em."
"I like Mrs. Cloke. But what is the old house called?"
George laughed. "That's one of the things you're expected to know. He
never told me."
The Clokes were more communicative. That evening and thereafter for
a week they gave the Chapins the official history, as one gives it to
lodgers, of Friars Pardon the house and its five farms. But Sophie asked
so many questions, and George was so humanly interested, that, as
confidence in the strangers grew, they launched, with observed and
acquired detail, into the lives and deaths and doings of the Elphicks and
the Moones and their collaterals, the Haylings and the Torrells. It was a
tale told serially by Cloke in the barn, or his wife in the dairy, the last
chapters reserved for the kitchen o' nights by the big fire, when the two
had been half the day exploring about the house, where old Iggulden, of
the blue smock, cackled and chuckled to see them. The motives that
swayed the characters were beyond their comprehension; the fates that
shifted them were gods they had never met; the sidelights Mrs. Cloke
threw on act and incident were more amazing than