Across Unknown South America | Page 8

Arnold Henry Savage Landor
a great many men who are ambitious and heartily wish to render their country service. It is to be hoped that their efforts may be crowned with success. It is not talent which is lacking in Brazil, it is not patriotism; but persistence is not perhaps the chief characteristic among races of Portuguese descent. In these days of competition it is difficult to accomplish anything great without labour and trouble.
I left London on December 23rd, 1910, by the Royal Mail steamship Amazon, one of the most comfortable steamers I have ever been on.
We touched at Madeira, Pernambuco, and then at Bahia. Bahia seen from the sea was quite picturesque, with its two horizontal lines of buildings, one on the summit of a low hill-range, the other along the water line. A border of deep green vegetation separated the lower from the upper town. A massive red building stood prominent almost in the centre of the upper town, and also a number of church towers, the high dome of a church crowning the highest point.
I arrived in Rio de Janeiro on January 9th, 1911.
It is no use my giving a description of the city of Rio de Janeiro. Everybody knows that it is--from a pictorial point of view--quite a heavenly spot. Few seaside cities on earth can expect to have such a glorious background of fantastic mountains, and at the same time be situated on one of the most wonderful harbours known. I have personally seen a harbour which was quite as strangely interesting as the Rio harbour--but there was no city on it. It was the Malampaya Sound, on the Island of Palawan (Philippine Archipelago). But such an ensemble of Nature's wonderful work combined with man's cannot, to the best of my knowledge, be found anywhere else than in Rio.
It does not do to examine everything too closely in detail when you land--for while there are buildings of beautiful architectural lines, there are others which suggest the work of a pastrycook. To any one coming direct from Europe some of the statuary by local talent which adorns the principal squares gives a severe shock. Ladies in evening dress and naked cupids in bronze flying through national flags flapping in the wind, half of their bodies on one side, the other half on the other side of the flags, look somewhat grotesque as you approach the statues from behind. But Rio is not the only place where you see grotesque statuary--you have not to go far from or even out of London to receive similar and worse shocks. If Rio has some bad statues it also possesses some remarkably beautiful ones by the sculptor Bernardelli--a wonderful genius who is now at the head of the Academy of Fine Arts in Rio. This man has had a marvellous influence in the beautifying of the city, and to him are due the impressive lines of the finest buildings in Rio, such as the Academy of Fine Arts. Naturally, in a young country like Brazil--I am speaking of new Brazil, now wide awake, not of the Brazil which has been asleep for some decades--perfection cannot be reached in everything in one day. It is really marvellous how much the Brazilians have been able to accomplish during the last ten years or so in their cities, on or near the coast.
Brazilians have their own way of thinking, which is not ours, and which is to us almost incomprehensible. They are most indirect in their thoughts and deeds--a characteristic which is purely racial, and which they themselves cannot appreciate, but which often shocks Europeans. For instance, one of the most palatial buildings in the Avenida Central was built only a short time ago. In it, as became such an up-to-date building, was established a lift. But do you think that the architect, like all other architects anywhere else in the world, would make the lift start from the ground floor? No, indeed. The lift only starts from the second floor up--and, if I remember rightly, you have to walk some thirty-eight steps up a grand staircase before you reach it! Do you know why? Because the architect wished to compel all visitors to the building to admire a window of gaudy coloured glass half-way up the staircase. In this way they reason about nearly everything. They have not yet mastered the importance and due proportion of detail. Frequently what is to us a trifling detail is placed by them in the forefront as the most important point of whatever they undertake.
Thanks to the strong credentials I carried--among which were letters from H.E. Regis de Oliveira, Brazilian Minister in London--I was received in Rio de Janeiro with the utmost consideration and kindness. From the President of the Republic to the humblest citizens, all with no exception treated
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