Abraham Lincoln and the Union | Page 5

Nathaniel W. Stephenson
roughly but graphically the movement of the business of that time. The Easterner lived in fear of losing the money which was owed him in the South. As the political and economic conditions of the day made unlikely any serious clash of interest between the East and the West, he had little solicitude about his accounts beyond the Alleghanies. But a gradually developing hostility between North and South was accompanied by a parallel anxiety on the part of Northern capital for its Southern investments and debts. When the war eventually became inevitable, $200,000,000 were owed by Southerners to Northerners. For those days this was an indebtedness of no inconsiderable magnitude. The Northern capitalists, preoccupied with their desire to secure this account, were naturally eager to repudiate sectionalism, and talked about national interests with a zeal that has sometimes been misinterpreted. Throughout the entire period from 1850 to 1865, capital in American politics played for the most part a negative role, and not until after the war did it become independent of its Southern interests.
For the real North of that day we must turn to those Northerners who felt sufficient unto themselves and whose political convictions were unbiased by personal interests which were involved in other parts of the country. We must listen to the distinct voices that gave utterance to their views, and we must observe the definite schemes of their political leaders. Directly we do this, the fact stares us in the face that the North had become a democracy. The rich man no longer played the role of grandee, for by this time there had arisen those two groups which, between them, are the ruin of aristocracy--the class of prosperous laborers and the group of well-to-do intellectuals. Of these, the latter gave utterance, first, to their faith in democracy, and then, with all the intensity of partisan zeal, to their sense of the North as the agent of democracy. The prosperous laborers applauded this expression of anopinion in which they thoroughly believed and at the same time gave their willing support to a land policy that was typically Northern.
American economic history in the middle third of the century is essentially the record of a struggle to gain possession of public land. The opposing forces were the South, which strove to perpetuate by this means a social system that was fundamentally aristocratic, and the North, which sought by the same means to foster its ideal of democracy. Though the South, with the aid of its economic vassal, the Northern capitalist class, was for some time able to check the land-hunger of the Northern democrats, it was never able entirely to secure the control which it desired, but was always faced with the steady and continued opposition of the real North. On one occasion in Congress, the heart of the whole matter was clearly shown, for at the very moment when the Northerners of the democratic class were pressing one of their frequent schemes for free land, Southerners and their sympathetic Northern henchmen were furthering a scheme that aimed at the purchase of Cuba. From the impatient sneer of a Southerner that the Northerners sought to give "land to the landless" and the retort that the Southerners seemed equally anxious to supply "niggers to the niggerless," it can be seen that American history is sometimes better summed up by angry politicians than by historians.
We must be on our guard, however, against ascribing to either side too precise a consciousness of its own motives. The old days when the American Civil War was conceived as a clear-cut issue are as a watch in the night that has passed, and we now realize that historical movements are almost without exception the resultants of many motives. We have come to recognize that men have always misapprehended themselves, contradicted themselves, obeyed primal impulses, and then deluded themselves with sophistications upon the springs of action. In a word, unaware of what they are doing, men allow their aesthetic and dramatic senses to shape their conceptions of their own lives.
That "great impersonal artist," of whom Matthew Arnold has so much to say, is at work in us all, subtly making us into illusions, first to ourselves and later to the historian. It is the business of history, as of analytic fiction, both to feel the power of these illusions and to work through them in imagination to the dim but potent motives on which they rest. We are prone to forget that we act from subconscious quite as often as from conscious influences, from motives that arise out of the dim parts of our being, from the midst of shadows that psychology has only recently begun to lift, where senses subtler than the obvious make use of fear, intuition, prejudice, habit, and illusion, and too often
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