A World is Born | Page 3

the chaotic winds.
"I want to see you, Miss Moulton," he said. "There's something funny I think you ought to know."
"Of course," said Jill, and met her father's eyes. "I think we'll see, now, which one of us is right."
* * * * *
The barracks were quiet, except for the mutter of distant thunder and the heavy breathing of exhausted men. Tom Ward crouched in the darkness by Mel Gray's bunk.
"You ain't gonna go soft at the last minute, are you?" he whispered. "Because I can't afford to take chances."
"Don't worry," Gray returned grimly. "What's your proposition?"
"I can give you the combination to the lock of the hangar passage. All you have to do is get into Moulton's office, where the passage door is, and go to it. The ship's a two-seater. You can get her out of the valley easy."
Gray's eyes narrowed in the dark. "What's the catch?"
"There ain't none. I swear it."
"Look, Ward. I'm no fool. Who's behind this, and why?"
"That don't make no difference. All you want ... ow!"
Gray's fingers had fastened like steel claws on his wrist.
"I get it, now," said Gray slowly. "That's why I was sent here. Somebody wanted me to make trouble for Moulton." His fingers tightened agonizingly, and his voice sank to a slow drawl.
"I don't like being a pawn in somebody else's chess game."
"Okay, okay! It ain't my fault. Lemme go." Ward rubbed his bruised wrist. "Sure, somebody--I ain't sayin' who--sent you here, knowin' you'd want to escape. I'm here to help you. You get free, I get paid, the Big Boy gets what he wants. Okay?"
Gray was silent, scowling in the darkness. Then he said.
"All right. I'll take a chance."
"Then listen. You tell Moulton you have a complaint. I'll...."
Light flooded the dark as the door clanged open. Ward leaped like a startled rabbit, but the light speared him, held him. Ward felt a pulse of excitement beat up in him.
The long ominous shadows of the guards raised elongated guns. The barracks stirred and muttered, like a vast aviary waking.
"Ward and Gray," said one of the guards. "Moulton wants you."
Gray rose from his bunk with the lithe, delicate grace of a cat. The monotony of sleep and labor was ended. Something had broken. Life was once again a moving thing.
* * * * *
John Moulton sat behind the untidy desk. Dio the Martian sat grimly against the wall. There was a guard beside him, watching.
Mel Gray noted all this as he and Ward came in. But his cynical blue eyes went beyond, to a door with a ponderous combination lock. Then they were attracted by something else--the tall, slim figure standing against the black quartz panes of the far wall.
It was the first time he had seen Jill Moulton. She looked the perfect sober apostle of righteousness he'd learned to mock. And then he saw the soft cluster of black curls, the curve of her throat above the dark dress, the red lips that balanced her determined jaw and direct grey eyes.
Moulton spoke, his shaggy head hunched between his shoulders.
"Dio tells me that you, Gray, are not a volunteer."
"Tattletale," said Gray. He was gauging the distance to the hangar door, the positions of the guards, the time it would take to spin out the combination. And he knew he couldn't do it.
"What were you and Ward up to when the guards came?"
"I couldn't sleep," said Gray amiably. "He was telling me bedtime stories." Jill Moulton was lovely, he couldn't deny that. Lovely, but not soft. She gave him an idea.
Moulton's jaw clamped. "Cut the comedy, Gray. Are you working for Caron of Mars?"
Caron of Mars, chairman of the board of the Interplanetary Prison Authority. Dio had mentioned him. Gray smiled in understanding. Caron of Mars had sent him, Gray, to Mercury. Caron of Mars was helping him, through Ward, to escape. Caron of Mars wanted Mercury for his own purposes--and he could have it.
"In a manner of speaking, Mr. Moulton," he said gravely, "Caron of Mars is working for me."
He caught Ward's sharp hiss of remonstrance. Then Jill Moulton stepped forward.
"Perhaps he doesn't understand what he's doing, Father." Her eyes met Gray's. "You want to escape, don't you?"
Gray studied her, grinning as the slow rose flushed her skin, the corners of her mouth tightening with anger.
"Go on," he said. "You have a nice voice."
Her eyes narrowed, but she held her temper.
"You must know what that would mean, Gray. There are thousands of veterans in the prisons now. Their offenses are mostly trivial, but the Prison Authority can't let them go, because they have no jobs, no homes, no money.
"The valleys here are fertile. There are mines rich in copper and pitchblende. The men have a chance for a home and a job, a part in building a new world. We hope to