A Woodland Queen | Page 4

the poems of Theuriet were printed in the 'Revue de Paris' and the 'Revue des Deux Mondes'. His greatest novel, 'Reine des Bois' (Woodland Queen), was crowned by the Academie Francaise in 1890. To the public in general he became first known in 1870 by his 'Nouvelles Intimes'. Since that time he has published a great many volumes of poems, drama, and fiction. A great writer, he perhaps meets the wishes of that large class of readers who seek in literature agreeable rest and distraction, rather than excitement or aesthetic gratification. He is one of the greatest spirits that survived the bankruptcy of Romanticism. He excels in the description of country nooks and corners; of that polite rusticity which knows nothing of the delving laborers of 'La Terre', but only of graceful and learned leisure, of solitude nursed in revery, and of passion that seems the springtide of germinating nature. He possesses great originality and the passionate spirit of a 'paysagiste': pictures of provincial life and family-interiors seem to appeal to his most pronounced sympathies. His taste is delicate, his style healthy and frank, and at the same time limpid and animated.
After receiving, in 1890, the Prix Vitet for the ensemble of his literary productions, he was elected to the Academy in 1896. To the stage Theuriet has given 'Jean-Marie', drama in verses (Odeon, February 11, 1871). It is yet kept on the repertoire together with his 'Maison de deux Barbeaux (1865), Raymonde (1887), and Les Maugars (1901).'
His novels, tales, and poems comprise a long list. 'Le Bleu et le Noir' (1873) was also crowned by the Academy. Then followed, at short intervals: 'Mademoiselle Guignon (1874.); Le Mariage de Gerard (1875); La Fortune d'Angele (1876); Raymonde (1877),' a romance of modern life, vastly esteemed by the reading public; 'Le Don Juan de Vireloup (1877); Sous Bois, Impressions d'un Forestier (1878); Le Filleul d'un Marquis (1878); Les Nids (1879); Le fils Maugars (1879); La Maison de deux Barbeaux (1879); Toute seule (1880); Sauvageonne (1880), his most realistic work; Les Enchantements de la Foret (1881); Le Livre de la Payse (poetry, 1882); Madame Heurteloup (1882); Peche de Jeunesse (1883); Le Journal de Tristan, mostly autobiographical; Bigarreau (1885); Eusebe Lombard (1885); Les OEillets de Kerlatz (1885); Helene (1886); Nos Oiseaux (beautiful verses, 1886); La Vie Rustique (1887); Amour d'Automne (1888); Josette (1888); Deux Soeurs (1889); Contes pour les Soirs d'Hiver (1890); Charme Dangereux (1891); La Ronde des Saisons et des Mois (1889); La Charmeresse (1891); Fleur de Nice (1896); Bois Fleury (1897); Refuge (1898); Villa Tranquille (1899); Claudette (1900); La Petite Derniere (1901); Le Manuscrit du Chanoine (1902), etc.
Besides this abundant production Andre Theuriet has also contributed to various journals and magazines: 'Le Moniteur, Le Musee Universal, L'Illustration, Le Figaro, Le Gaulois, La Republique Francaise, etc.; he has lectured in Belgium, Holland, and Switzerland, and has even found leisure to fill the post as Mayor of Bourg-la-Reine (Seine et Oise), perhaps no onerous office (1882-1900). He has also been an 'Officier de la Legion d'Honneur' since 1895. MELCHIOR DE VOGUE de l'Academie Francaise.

A WOODLAND QUEEN
BOOK 1.
CHAPTER I
THE UNFINISHED WILL
Toward the middle of October, about the time of the beechnut harvest, M. Eustache Destourbet, justice of the Peace of Auberive, accompanied by his clerk, Etienne Seurrot, left his home at Abbatiale, in order to repair to the Chateau of Vivey, where he was to take part in removing the seals on some property whose owner had deceased.
At that period, 1857, the canton of Auberive, which stretches its massive forests like a thick wall between the level plain of Langres and the ancient Chatillonais, had but one main road of communication: that from Langres to Bar-sur-Aube. The almost parallel adjacent route, from Auberive to Vivey, was not then in existence; and in order to reach this last commune, or hamlet, the traveller had to follow a narrow grass- bordered path, leading through the forest up the hill of Charboniere, from the summit of which was seen that intermingling of narrow gorges and wooded heights which is so characteristic of this mountainous region. On all sides were indented horizons of trees, among which a few, of more dominant height, projected their sharp outlines against the sky; in the distance were rocky steeps, with here and there a clump of brambles, down which trickled slender rivulets; still farther, like little islands, half submerged in a sea of foliage, were pastures of tender green dotted with juniper bushes, almost black in their density, and fields of rye struggling painfully through the stony soil--the entire scene presenting a picture of mingled wildness and cultivation, aridity and luxuriant freshness.
Justice Destourbet, having strong, wiry limbs, ascended cheerily the steep mountain-path. His tall, spare figure, always in advance of his companion, was visible through the tender green of the young oaks, clothed