A Wanderer in Florence

A Wanderer in Florence

The Project Gutenberg EBook of A Wanderer in Florence, by E. V. Lucas This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: A Wanderer in Florence
Author: E. V. Lucas
Release Date: January 21, 2004 [EBook #10769]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK A WANDERER IN FLORENCE ***

Produced by Jeroen Hellingman & the Distributed Proofreaders Team

A WANDERER IN FLORENCE
By E.V. Lucas

Preface
A sentence from a "Synthetical Guidebook" which is circulated in the Florentine hotels will express what I want to say, at the threshold of this volume, much better than could unaided words of mine. It runs thus: "The natural kindness, the high spirit, of the Florentine people, the wonderful masterpieces of art created by her great men, who in every age have stood in the front of art and science, rivalize with the gentle smile of her splendid sky to render Florence one of the finest towns of beautiful Italy". These words, written, I feel sure, by a Florentine, and therefore "inspirated" (as he says elsewhere) by a patriotic feeling, are true; and it is my hope that the pages that follow will at once fortify their truth and lead others to test it.
Like the synthetical author, I too have not thought it necessary to provide "too many informations concerning art and history," but there will be found a few, practically unavoidable, in the gathering together of which I have been indebted to many authors: notably Vasari, Symonds, Crowe and Cavalcaselle, Ruskin, Pater, and Baedeker. Among more recent books I would mention Herr Bode's "Florentine Sculptors of the Renaissance," Mr. F.M. Hyett's "Florence," Mr. E.L.S. Horsburgh's "Lorenzo the Magnificent" and "Savonarola," Mr. Gerald S. Davies' "Michelangelo," Mr. W.G. Waters' "Italian Sculptors," and Col. Young's "The Medici".
I have to thank very heartily a good English Florentine for the construction of the historical chart at the end of the volume.
E.V.L.
May, 1912

Contents
Preface
Chapter I
The Duomo I: Its Construction
Chapter II
The Duomo II: Its Associations
Chapter III
The Duomo III: A Ceremony and a Museum
Chapter IV
The Campanile and the Baptistery
Chapter V
The Riccardi Palace and the Medici
Chapter VI
S. Lorenzo and Michelangelo
Chapter VII
Or San Michele and the Palazzo Vecchio
Chapter VIII
The Uffizi I: The Building and the Collectors
Chapter IX
The Uffizi II: The First Six Rooms
Chapter X
The Uffizi III: Botticelli
Chapter XI
The Uffizi IV: Remaining Rooms
Chapter XII
"A��rial Fiesole"
Chapter XIII
The Badia and Dante
Chapter XIV
The Bargello
Chapter XV
S. Croce
Chapter XVI
The Accademia
Chapter XVII
Two Monasteries and a Procession
Chapter XVIII
S. Marco
Chapter XIX
The SS. Annunziata and the Spedale Degli Innocenti
Chapter XX
The Cascine and the Arno
Chapter XXI
S. Maria Novella
Chapter XXII
The Piazza Vittorio Emmanuele to S. Trinit��
Chapter XXIII
The Pitti
Chapter XXIV
English Poets in Florence
Chapter XXV
The Carmine and San Miniato Historical Chart of Florence and Europe, 1296-1564

List of Illustrations
In Colour
The Duomo and Campanile, From the Via Pecori
The Cloisters of San Lorenzo, Showing the Windows of the Biblioteca Laurenziana
The Via Calzaioli, from the Baptistery, Showing the Bigallo and the Top of Or San Michele
The Palazzo Vecchio
The Loggia of the Palazzo Vecchio and the Via de' Leoni
The Loggia de' Lanzi, the Duomo, and the Palazzo Vecchio, from the Portico of the Uffizi
Fiesole, from the Hill under the Monastery
The Badia and the Bargello, from the Piazza S. Firenze
Interior of S. Croce
The Ponte S. Trinit��
The Ponte Vecchio and Back of the Via de' Bardi
S. Maria Novella and the Corner of the Loggia di S. Paolo
The Via de' Vagellai, from the Piazza S. Jacopo Trafossi
The Piazza Della Signoria on a Wet Friday Afternoon
View of Florence at Evening, from the Piazzale Michelangelo
Evening at the Piazzale Michelangelo, Looking West

In Monotone
A Cantoria. By Donatello, in the Museum of the Cathedral
Cain and Abel and Abraham and Isaac. By Ghiberti, from his second Baptistery Doors
The Procession of the Magi. By Benozzo Gozzoli, in the Palazzo Riccardi
Tomb of Lorenzo de' Medici, Duke of Urbino. By Michelangelo, in the New Sacristy of S. Lorenzo
Christ and S. Thomas. By Verrocchio, in a niche by Donatello and Michelozzo in the wall of Or San Michele
Putto with Dolphin. By Verrocchio, in the Palazzo Vecchio
Madonna Adoring. Ascribed to Filippino Lippi, in the Uffizi
The Adoration of the Magi. By Leonardo da Vinci, in the Uffizi
Madonna and Child. By Luca Signorelli, in the Uffizi
?The Birth of Venus. By Botticelli, in the Uffizi
The Annunciation. By Botticelli, in the Uffizi
San Giacomo. By Andrea del Sarto, in the Uffizi
The Madonna del Cardellino. By Raphael, in the Uffizi
The Madonna del Pozzo. By Franciabigio, in the Uffizi
Monument to Count Ugo. By Mino da Fiesole, in the Badia
David. By Donatello, in the Bargello By Verrocchio, in the Bargello
St. George. By Donatello, in the Bargello
Madonna and Child. By Verrocchio, in the Bargello
Madonna and Child. By Luca della Robbia, in the Bargello
Bust of a Boy. By Luca or Andrea della