A Trip to Paris in July and August 1792 | Page 8

stealing a horse or a cow, the string was tied to the beast, which pulled out the peg and became the executioner."]
I have seen the following seven engravings of such an instrument. The most ancient is engraven on wood, merely outlines, and very badly drawn; it is in Petrus de Natalibus Catalogus Sanctorum, 1510.
There was a German translation of some of Petrarch's Works, published in 1520; this contains an engraving in wood, representing an execution, with a great number of figures, correctly drawn.
Aldegrever, in 1553, published another print on this subject.
The fourth is in Achillis Bocchii Qu?stiones Symbolic?, 1550.
There is one in Cats's Dutch Emblems, 1650.
And the two last are in Golfrieds's Historical Chronicles, in German, folio, 1674. These five last are engraven on copper.
In all these representations the axe is either straight or semicircular, but always horizontal. The sloping position of the French axe appears to be the best calculated for celerity.
Machines of this kind are at present made use of for executions throughout all France, and criminals are put to death in no other manner.
The following is the account of an execution, which I had from an eye-witness.
The crowd began to assemble at ten in the morning, and waited, exposed to the intense heat of the sun in the middle of July, till four in the afternoon, when the criminals, a Marquis and a Priest, were brought, in two coaches; they were condemned for having forged assignats.
The Marquis ascended the scaffold first; he was as pale as if he had already been dead, and he endeavoured to hide his face, by pulling his hair over it; there were two executioners, dressed in black, on the scaffold, one of which immediately tied a plank of about 18 inches broad, and an inch thick, to the body of the Marquis, as he stood upright, fastening it about the arms, the belly, and the legs; this plank was about four feet long, and came almost up to his chin; a priest who attended, then applied a crucifix to his mouth, and the two executioners directly laid him on his belly on the bench, lifted up the upper part of the board which was to receive his neck, adjusted his head properly, then shut the board and pulled the string which is fastened to the peg at the top of the machine, which lifted up a latch, and down came the axe; the head was off in a moment, and fell into a basket which was ready to receive it, the executioner took it out and held it up by the hair to show the populace, and then put it into another basket along with the body: very little blood had issued as yet.
The Priest was now taken out of the coach, from which he might have seen his companion suffer; the bloody axe was hoisted up and he underwent the same operation exactly. Each of these executions lasted about a minute in all, from the moment of the criminal's ascending the scaffold to that of the body's being taken away. It was now seen that the body of the Marquis made such a violent expiration that the belly raised the lid of the basket it was in, and the blood rushed out of the great arteries in torrents.
The windows of the Place de Grêve were, as usual on such occasions, filled with ladies.[11] Many persons were performing on violins, and trumpets, in order to pass the time away, and to relieve the tediousness of expectation.
[Note 11: Mrs. Robinson tells me, that when she was at Paris, a few years ago, her valet de place, came early one morning, informing her there would be a grand spectacle, and wanted to know if he should hire a place for her. This superb spectacle was no other than the execution of two murderers, who were to be broken alive on the wheel, in the Place de Grêve, on that day. She however says, that she declined going.]
I have on several other days seen felons sitting on stools on this scaffold, with their hands tied, and their arms and bodies fastened to a stake by a girth, bareheaded, with an inscription over their heads, specifying their crimes and punishment; they are generally thus exposed during five or fix hours, and then sent to prison, or to the gallies according to the sentence.

VERSAILLES. BOTANY. SOUNDING MERIDIANS.
I went once to Versailles; there is hardly any thing in the palace but the bare walls, a very few of the looking-glasses, tapestry, and large pictures remaining, as it has now been near two years uninhabited. I crossed the great canal on foot; there was not a drop of water in it.
In the Menagerie I saw the Rhinoceros, which has been 23 years there; there is likewise a lion, with