its monuments and of its palaces, which rise as
by enchantment from the limpid water, the atmosphere of poetry and
art which surrounds it, are not to be described, or if described present
but a faint picture of the reality.
This, then, being the romantic frame, the picture as spread out before
the windows of the Palazzo Dandolo, now Royal Hotel Danieli, which
stands in the finest part of the Riva degli Schiavoni, is worthy of it,
making an unequalled panorama, which extends from the Piazzetta
with the Molo, the Columns, St. Mark's Church and the Doge's Palace
away round to the Public Gardens. The front, which is due south, faces
the broad Basin of St. Mark, dotted with gondolas and boats of all
kinds, and the broad lagoons, with their treasures and their mysteries.
The red church of San Giorgio Maggiore and the great dome of the
Salute, reflect themselves in the water to the right, backed, in the far
distance, by the blue volcanic hills of Padua: while to the left is Byron's
island of San Lazzaro, and the long low banks of the Lido that defend
Venice from the waves of the Adriatic.
[Illustration: SMOKING-ROOM AND AMERICAN BAR]
[Illustration: PUBLIC DRAWING ROOM]
But the palace itself, famous in the history of Venice, having been built
in 1400 by the great family of Dandolo (and which is now the Royal
Hotel Danieli), forms an integral part of the picture, for it is one of the
most magnificent palaces of Venice; and we shall presently give our
readers a historical sketch of it, which we trust will prove interesting.
Meanwhile we must mention that to this ancient and sumptuous palace,
with its Atrium and Loggia, with its grand ducal staircase, its ample
reception halls, its «golden stairs», its rooms decorated with stucco and
precious carvings, its Sansovino ceiling beams, its wooden mosaic
floors, and its bifurcated windows and ogival balconies, which recall
the history of Bianca Cappello, has been added a second palace, equally
large and imposing, but one built on purpose for a hotel.
This second building is modern--modern in all its details, as we shall
see in due course.
The exterior of these two palaces, of which the architecture presents a
remarkable contrast, can be admired in the following engraving.
The building to the right of the spectator is the modern Palace, that on
the left the ancient Dandolo Palace--each splendid in its own style--and
the one in the distance is the famous Palace of the Doges.
To describe the interior of these two handsome edifices is very difficult,
but the accompanying engraving, which represents the Atrium of the
Palazzo Dandolo, with its magnificent ducal staircase, will give some
idea of their beauty. Around this Atrium are a number of fine halls and
offices, with the water-gate opening on to a side canal with a marble
landing-stage for the gondolas. Near to the water-gate is the Railway
Office (a convenience possessed by no other hotel in Venice), where
tickets can be taken and luggage be registered without any trouble to
the traveler. Next this is the luggage office.
Opposite the land entrance is the _Porter's Lodge_, where one or more
porters are always to be found at the disposition of travelers. On the left
hand is a Post Office with, for the greater security of all correspondence,
a Government letter-box; and close by, the Bureau of the Hotel, with
offices for the cashier, for money changing, and for Bank business.
Opposite the grand stairs is a luxurious Smoking Room, its walls hung
with rich material, and furnished in Oriental comfort and style, with an
American Bar leading out of it. Next it, are two spacious Reading and
Writing Rooms, containing the principal newspapers and illustrated
publications of the world.
[Illustration: READING ROOM]
On the right hand of the main door is a large _Public Drawing Room,_
style of 1700, with handsome stucco-work, and gilt furniture covered
with rich stuffs, with the hangings and wall-coverings all en suite. This
room alone would repay a visit to the hotel. Some idea can be formed
of it from the following engravings, though, of course, the full effect of
its richness and color is lost. In the two palaces there are a number of
other such drawing-rooms, besides a concert hall, ballroom, music
room and billiard room, &c. There are also bath rooms and douche
baths on every floor. On the ground floor are the kitchens, the wine
cellars, the ice cellars, the apparatus for heating the whole buildings by
steam, thus spreading a uniform temperature throughout the two
Palaces. Here is also the machinery for the lifts, the centre for the
distribution of the electric light and the boilers and syphons for giving
hot water direct into all the apartments. All this
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