A Study of Pueblo Pottery as Illustrative of Zuñi Culture Growth | Page 5

speedily given way to the use of gourds, which grew luxuriantly at these places and were of better shapes and of larger capacity. The name of the gourd as a vessel is shop tom me, from _shó e_, canes, _pó pon nai e_, bladder-shaped, and _tóm me_, a wooden tube; a seeming derivation (with the exception of the interpolated sound significant of form) from _shó tom me_. The gourd itself is called _mó thla a_, "hard fruit." The inference is that when used as a vessel, and called shopi tom me, it must have been named after an older form of vessel, instead of after the plant or fruit which produced it.
While the gourd was large and convenient in form, it was difficult of transportation owing to its fragility. To overcome this it was encased in a coarse sort of wicker-work, composed of fibrous yucca leaves or of flexible splints. Of this we have evidence in a series of gourd-vessels among the Zu?is, into which the sacred water is said to have been transferred from the tubes, and a pair of which one of the priests, who came east with me two years ago, brought from New Mexico to Boston in his hands--so precious were they considered as relics--for the purpose of replenishing them with water from the Atlantic. These vessels are encased rudely but strongly in a meshing of splints (see Fig. 500), and while I do not positively claim that they have been piously preserved since the time of the universal use of gourds as water-vessels by the ancestry of this people, they are nevertheless of considerable antiquity. Their origin is attributed to the priest-gods, and they show that it must have once been a common practice to encase gourds, as above described, in osiery.
[Illustration: FIG. 500.--Gourd vessel enclosed in wicker.]
POTTERY ANTICIPATED BY BASKETRY.
This crude beginning of the wicker-art in connection with water-vessels points toward the development of the wonderful water-tight basketry of the southwest, explaining, too, the resemblance of many of its typical forms to the shapes of gourd-vessels. Were we uncertain of this, we might again turn to language, which designates the impervious wicker water-receptacle of whatever outline as _tóm ma_, an evident derivation from the restricted use of the word _tóm me_ in connection with gourd or cane vessels, since a basket of any other kind is called _tsí ì le_.
It is readily conceivable that water-tight osiery, once known, however difficult of manufacture, would displace the general use of gourd-vessels. While the growth of the gourd was restricted to limited areas, the materials for basketry were everywhere at hand. Not only so, but basket-vessels were far stronger and more durable, hence more readily transported full of water, to any distance. By virtue of their rough surfaces, any leakage in such vessels was instantly stopped by a daubing of pitch or mineral asphaltum, coated externally with sand or coarse clay to harden it and overcome its adhesiveness.
[Illustration: FIG. 501.--Havasupai clay-lined roasting-tray.]
We may conclude, then, that so long as the Pueblo ancestry were semi-nomadic, basketry supplied the place of pottery, as it still does for the less advanced tribes of the Southwest, except in cookery. Possibly for a time basketry of this kind served in place of pottery even for cookery, as with one of the above-mentioned tribes, the _Ha va su paí_ or Co?oninos, of Cataract Ca?on, Arizona. These people, until recently, were cut off from the rest of the world by their almost impenetrable ca?on, nearly half a mile in depth at the point where they inhabit it. For example, when I visited them in 1881, they still hafted sharpened bits of iron, like celts, in wood. They had not yet forgotten how to boil food in water-tight basketry, by means of hot stones, and continued to roast seeds, crickets, and bits of meat in wicker-trays, coated inside with gritty clay. (See Fig. 501.) The method of preparing and using these roasting-trays has an important bearing on several questions to which reference will be made further on. A round basket-tray, either loosely or closely woven, is evenly coated inside with clay, into which has been kneaded a very large proportion of sand, to prevent contraction and consequent cracking from drying. This lining of clay is pressed, while still soft, into the basket as closely as possible with the hands and then allowed to dry. The tray is thus made ready for use. The seeds or other substances to be parched are placed inside of it, together with a quantity of glowing wood-coals. The operator, quickly squatting, grasps the tray at opposite edges, and, by a rapid spiral motion up and down, succeeds in keeping the coals and seeds constantly shifting places and turning over as they dance after one another around and around the tray,