A Study of Pueblo Architecture: Tusayan and Cibola | Page 5

of Mr. A. M. Stephen's traditionary material from Tusayan, embraced in the first chapter of the paper.
This latter material is of special interest in a study of the pueblos as indicating some of the conditions under which this architectural type was developed, and it appropriately introduces the more purely architectural study by the author.
Such traditions must be used as history with the utmost caution, and only for events that are very recent. Time relations are often hopelessly confused and the narratives are greatly incumbered with mythologic details. But while so barren in definite information, these traditions are of the greatest value, often through their merely incidental allusions, in presenting to our minds a picture of the conditions under which the repeated migrations of the pueblo builders took place.
The development of architecture among the Pueblo Indians was comparatively rapid and is largely attributable to frequent changes, migrations, and movements of the people as described in Mr. Stephen's account. These changes were due to a variety of causes, such as disease, death, the frequent warfare carried on between different tribes and branches of the builders, and the hostility of outside tribes; but a most potent factor was certainly the inhospitable character of their environment. The disappearance of some venerated spring during an unusually dry season would be taken as a sign of the disfavor of the gods, and, in spite of the massive character of the buildings, would lead to the migration of the people to a more favorable spot. The traditions of the Zu?is, as well as those of the Tusayan, frequently refer to such migrations. At times tribes split up and separate, and again phratries or distant groups meet and band together. It is remarkable that the substantial character of the architecture should persist through such long series of compulsory removals, but while the builders were held together by the necessity for defense against their wilder neighbors or against each other, this strong defensive motive would perpetuate the laborious type of construction. Such conditions would contribute to the rapid development of the building art.
CHAPTER I.
TRADITIONAL HISTORY OF TUSAYAN.
EXPLANATORY.
In this chapter[1] is presented a summary of the traditions of the Tusayan, a number of which were collected from old men, from Walpi on the east to Moen-kopi on the west. A tradition varies much with the tribe and the individual; an authoritative statement of the current tradition on any point could be made only with a complete knowledge of all traditions extant. Such knowledge is not possessed by any one man, and the material included in this chapter is presented simply as a summary of the traditions secured.
[Footnote 1: This chapter is compiled by Cosmos Mindeleff from material collected by A. M. Stephen.]
The material was collected by Mr. A. M. Stephen, of Keam's Canyon, Arizona, who has enjoyed unusual facilities for the work, having lived for a number of years past in Tusayan and possessed the confidence of the principal priests--a very necessary condition in work of this character. Though far from complete, this summary is a more comprehensive presentation of the traditionary history of these people than has heretofore been published.
SUMMARY OF TRADITIONS.
The creation myths of the Tusayan differ widely, but none of them designate the region now occupied as the place of their genesis. These people are socially divided into family groups called wi′ngwu, the descendants of sisters, and groups of wi′ngwu tracing descent from the same female ancestor, and having a common totem called my′umu. Each of these totemic groups preserves a creation myth, carrying in its details special reference to themselves; but all of them claim a common origin in the interior of the earth, although the place of emergence to the surface is set in widely separated localities. They all agree in maintaining this to be the fourth plane on which mankind has existed. In the beginning all men lived together in the lowest depths, in a region of darkness and moisture; their bodies were misshaped and horrible, and they suffered great misery, moaning and bewailing continually. Through the intervention of Myúingwa (a vague conception known as the god of the interior) and of Baholikonga (a crested serpent of enormous size, the genius of water), the "old men" obtained a seed from which sprang a magic growth of cane. It penetrated through a crevice in the roof overhead and mankind climbed to a higher plane. A dim light appeared in this stage and vegetation was produced. Another magic growth of cane afforded the means of rising to a still higher plane on which the light was brighter; vegetation was reproduced and the animal kingdom was created. The final ascent to this present, or fourth plane, was effected by similar magic growths and was led by mythic twins, according to some of the myths, by climbing a