A Sportsmans Sketches, vol 2 | Page 9

Forgive me, lads, if in any way....'
'God will forgive you, Maksim Andreitch,' said the peasants thickly with one voice, and they took off their caps; 'do you forgive us!'
He suddenly shook his head despairingly, his breast heaved with a painful effort, and he fell back again.
'We can't let him lie here and die, though,' cried Ardalion Mihalitch; 'lads, give us the mat from the cart, and carry him to the hospital.'
Two men ran to the cart.
'I bought a horse... yesterday,' faltered the dying man, 'off Efim... Sitchovsky... paid earnest money... so the horse is mine.... Give it... to my wife....'
They began to move him on to the mat.... He trembled all over, like a wounded bird, and stiffened....
'He is dead,' muttered the peasants.
We mounted our horses in silence and rode away.
The death of poor Maksim set me musing. How wonderfully indeed the Russian peasant dies! The temper in which he meets his end cannot be called indifference or stolidity; he dies as though he were performing a solemn rite, coolly and simply.
A few years ago a peasant belonging to another neighbour of mine in the country got burnt in the drying shed, where the corn is put. (He would have remained there, but a passing pedlar pulled him out half-dead; he plunged into a tub of water, and with a run broke down the door of the burning outhouse.) I went to his hut to see him. It was dark, smoky, stifling, in the hut. I asked, 'Where is the sick man?' 'There, sir, on the stove,' the sorrowing peasant woman answered me in a sing-song voice. I went up; the peasant was lying covered with a sheepskin, breathing heavily. 'Well, how do you feel?' The injured man stirred on the stove; all over burns, within sight of death as he was, tried to rise. 'Lie still, lie still, lie still.... Well, how are you?' 'In a bad way, surely,' said he. 'Are you in pain?' No answer. 'Is there anything you want?'--No answer. 'Shouldn't I send you some tea, or anything.' 'There's no need.' I moved away from him and sat down on the bench. I sat there a quarter of an hour; I sat there half an hour--the silence of the tomb in the hut. In the corner behind the table under the holy pictures crouched a little girl of twelve years old, eating a piece of bread. Her mother threatened her every now and then. In the outer room there was coming and going, noise and talk: the brother's wife was chopping cabbage. 'Hey, Aksinya,' said the injured man at last. 'What?' 'Some kvas.'Aksinya gave him some kvas. Silence again. I asked in a whisper, 'Have they given him the sacrament?' 'Yes.' So, then, everything was in order: he was waiting for death, that was all. I could not bear it, and went away....
Again, I recall how I went one day to the hospital in the village of Krasnogorye to see the surgeon Kapiton, a friend of mine, and an enthusiastic sportsman.
This hospital consisted of what had once been the lodge of the manor-house; the lady of the manor had founded it herself; in other words, she ordered a blue board to be nailed up above the door with an inscription in white letters: 'Krasnogorye Hospital,' and had herself handed to Kapiton a red album to record the names of the patients in. On the first page of this album one of the toadying parasites of this Lady Bountiful had inscribed the following lines:
'Dans ces beaux lieux, o�� r��gne l'all��gresse Ce temple fut ouvert par la Beaut��; De vos seigneurs admirez la tendresse Bons habitants de Krasnogori��!'
while another gentleman had written below:
'Et moi aussi j'aime la nature! JEAN KOBYLIATNIKOFF.'
The surgeon bought six beds at his own expense, and had set to work in a thankful spirit to heal God's people. Besides him, the staff consisted of two persons; an engraver, Pavel, liable to attacks of insanity, and a one-armed peasant woman, Melikitrisa, who performed the duties of cook. Both of them mixed the medicines and dried and infused herbs; they, too, controlled the patients when they were delirious. The insane engraver was sullen in appearance and sparing of words; at night he would sing a song about 'lovely Venus,' and would besiege every one he met with a request for permission to marry a girl called Malanya, who had long been dead. The one-armed peasant woman used to beat him and set him to look after the turkeys. Well, one day I was at Kapiton's. We had begun talking over our last day's shooting, when suddenly a cart drove into the yard, drawn by an exceptionally stout horse, such as are only found belonging to millers. In the cart sat a thick-set peasant, in a new greatcoat,