A Soldiers Sketches Under Fire

A Soldier's Sketches Under Fire

Project Gutenberg's A Soldier's Sketches Under Fire, by Harold Harvey This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: A Soldier's Sketches Under Fire
Author: Harold Harvey
Release Date: June 14, 2005 [EBook #16056]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK A SOLDIER'S SKETCHES UNDER FIRE ***

Produced by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto), Suzanne Lybarger and the Online Distributed Proofreading Team at http://www.pgdp.net

A SOLDIER'S SKETCHES UNDER FIRE

[Illustration: PRIVATE HAROLD HARVEY. _Frontispiece_]

A SOLDIER'S SKETCHES UNDER FIRE
By HAROLD HARVEY
[Illustration: SLM & Co. MDCCXCIV]
LONDON
SAMPSON LOW, MARSTON & CO., LTD.

FORENOTE
A title such as "A Soldier's Sketches Under Fire" indicates at once the nature, scope and limitations of this unpretentious volume of annotated drawings to which it has been given.
Faked pictures of the war are plentiful. Sketches taken on the spot they depict, sometimes by a hand that had momentarily laid down a rifle to take them, and always by a draughtsman who drew in overt or covert peril of his life, gain in verisimilitude what they must lose in elaboration or embellishment; are the richer in their realism by reason of the absence of the imaginary and the meretricious.
All that Mr. Harold Harvey drew he saw; but he saw much that he could not draw. All sorts of exploits of which pictures that brilliantly misrepresent them are easily concoctable were for him impossible subjects for illustration. As he puts it himself, very modestly:
"There were many happenings--repulsions of sudden attacks, temporary retirements, charges, and things of that sort that would have made capital subjects, but of which my notebook holds no 'pictured presentment,' because I was taking part in them."
He also remarks:
"Sketched in circumstances that certainly had their own disadvantages as well as their special advantages, I present these drawings only for what they are."
Just because they are what they are they are of enduring interest and permanent value. They have the vividness of the actual, the convincing touch of the true.
Mr. Harvey was among the very first to obey the call of "King and Country," tarrying only, I believe, to finish his afterwards popular poster of "A Pair of Silk Stockings" for the Criterion production. To join the Colours as a private soldier, he left his colours as an artist, throwing up an established and hardly-won position in the world of his profession, into which--sent home shot and poisoned--he must now fight his way back. His ante-war experiences of sojourn and travel in India, South and East Africa, South America, Egypt and the Mediterranean should again stand him in good stead, for the more an artist has learned the more comprehensive his treasury of impressions and recollections; the more he has seen the more he can show. To Mr. Harvey's studies of Egyptian life, character and customs was undoubtedly attributable the success of his "Market Scene in Cairo," exhibited in the Royal Academy of 1909. Purchased by a French connoisseur, this picture brought its painter several special commissions.
I venture to express the opinion that the simple, direct and soldierly style in which Mr. Harold Harvey has written the notes that accompany his illustrations will be appreciated. His reticence as regards his own doings, the casual nature of his references--where they could not be avoided--to his personal share in great achievements, manifest a spirit of self-effacement that is characteristic of the men of the army in which he fought; men whose like the world has never known.
ROBERT OVERTON.

TO
=LADY ANGELA FORBES=
WHOSE WORK FOR SOLDIERS IN FRANCE AND AT HOME HAS BEEN AS UNTIRING AS IT HAS BEEN UNOSTENTATIOUS.

CONTENTS
FORENOTE
=ON THE WAY TO THE FRONT.=

Chapter
I.--FROM SOUTHAMPTON TO MALTA
II.--FROM MALTA TO MARSEILLES
III.--FROM MARSEILLES TO ARMENTI��RES
=AT THE FRONT.=

Chapter
IV.--SOME SAMPLE EXCITEMENTS OF LIFE IN THE TRENCHES
V.--THE LIGHTER SIDE OF TRENCH LIFE
VI.--THE "MAKE" OF A BRITISH TRENCH
VII.--THE RUSE OF A GERMAN SNIPER
VIII.--THREE DEATH TRAPS
IX.--GERMAN BEASTS IN A FRENCH CONVENT
X.--ANOTHER SCENE OF BOCHE BRUTALITY
XI.--THE TRICK THAT DIDN'T TRICK US
XII.--THE BARRED ROAD TO CALAIS

SKETCHES
PRIVATE HAROLD HARVEY Frontispiece ABOARD THE TRANSPORT
BIVOUAC AT MALTA
CASEMENT GARDENS, MALTA
SERGEANTS' MESS
ORDNANCE DEPARTMENT, MALTA
ON THE QUAYHEAD AT MARSEILLES
QUAYSIDE, MARSEILLES
FORTY PASSENGERS IN EACH CATTLE TRUCK
A WASH AND A WAIT
"DOOMSDAY BOOK": A FRENCH LESSON IN A CATTLE TRUCK
LADY ANGELA FORBES'S SOLDIERS' HOME AT ETAPLES
ROAD TO THE TRENCHES
MY SKETCH-BOOK
MAP: LA BASS��E-ST. JULIEN
OUTSKIRTS OF A VILLAGE
MY FIRST SNIPING-PLACE
CAPTURED GERMAN TRENCH
THE WOODCUTTER'S HUT
TYPICAL FIGURES AND FIGURE-HEADS
"HAMMERSMITH BRIDGE"
"DIRTY DICK'S"
"ENTRENCHING" THE PIANO
"SEVENTY-FIVE HOTEL"
CHICKEN FARM
A FRENCH COMRADE-COMEDIAN
A TRENCH SNIPER, RESTING
A TRAVERSE
THE BIRTH-PLACE OF A SONG
TRENCH PERISCOPE IN USE
"THE WHITE FARM"
A GERMAN SNIPER'S NEST
"SUICIDE BRIDGE"
"SUICIDE SIGNAL BOX"
A GHASTLY PROMENADE
THE HOLE IN THE WALL
A VIOLATED CONVENT
WHERE GERMANS RAPED AND MURDERED
"THE BLACK HOLE"
THE BLACK TOWER
WHERE THE TRAP WAS SET
"GOLGOTHA"

PART I.
ON THE WAY TO THE FRONT.

A SOLDIER'S SKETCHES UNDER FIRE.
INTRODUCTORY.
ON THE WAY TO THE