A Sicilian Romance | Page 3

hall, with which the chief apartments of the north side of the edifice communicated.
Madame de Menon's apartment opened into both galleries. It was in one of these rooms that she usually spent the mornings, occupied in the improvement of her young charge. The windows looked towards the sea, and the room was light and pleasant. It was their custom to dine in one of the lower apartments, and at table they were always joined by a dependant of the marquis's, who had resided many years in the castle, and who instructed the young ladies in the Latin tongue, and in geography. During the fine evenings of summer, this little party frequently supped in a pavilion, which was built on an eminence in the woods belonging to the castle. From this spot the eye had an almost boundless range of sea and land. It commanded the straits of Messina, with the opposite shores of Calabria, and a great extent of the wild and picturesque scenery of Sicily. Mount Etna, crowned with eternal snows, and shooting from among the clouds, formed a grand and sublime picture in the background of the scene. The city of Palermo was also distinguishable; and Julia, as she gazed on its glittering spires; would endeavour in imagination to depicture its beauties, while she secretly sighed for a view of that world, from which she had hitherto been secluded by the mean jealousy of the marchioness, upon whose mind the dread of rival beauty operated strongly to the prejudice of Emilia and Julia. She employed all her influence over the marquis to detain them in retirement; and, though Emilia was now twenty, and her sister eighteen, they had never passed the boundaries of their father's domains.
Vanity often produces unreasonable alarm; but the marchioness had in this instance just grounds for apprehension; the beauty of her lord's daughters has seldom been exceeded. The person of Emilia was finely proportioned. Her complexion was fair, her hair flaxen, and her dark blue eyes were full of sweet expression. Her manners were dignified and elegant, and in her air was a feminine softness, a tender timidity which irresistibly attracted the heart of the beholder. The figure of Julia was light and graceful--her step was airy--her mien animated, and her smile enchanting. Her eyes were dark, and full of fire, but tempered with modest sweetness. Her features were finely turned--every laughing grace played round her mouth, and her countenance quickly discovered all the various emotions of her soul. The dark auburn hair, which curled in beautiful profusion in her neck, gave a finishing charm to her appearance.
Thus lovely, and thus veiled in obscurity, were the daughters of the noble Mazzini. But they were happy, for they knew not enough of the world seriously to regret the want of its enjoyments, though Julia would sometimes sigh for the airy image which her fancies painted, and a painful curiosity would arise concerning the busy scenes from which she was excluded. A return to her customary amusements, however, would chase the ideal image from her mind, and restore her usual happy complacency. Books, music, and painting, divided the hours of her leisure, and many beautiful summer-evenings were spent in the pavilion, where the refined conversation of madame, the poetry of Tasso, the lute of Julia, and the friendship of Emilia, combined to form a species of happiness, such as elevated and highly susceptible minds are alone capable of receiving or communicating. Madame understood and practised all the graces of conversation, and her young pupils perceived its value, and caught the spirit of its character.
Conversation may be divided into two classes--the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease--to open the heart of man to man, and to beam a temperate sunshine upon the mind.--Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,--the sensibilities expand--and wit, guided by delicacy and embellished by taste--points to the heart.
Such was the conversation of Madame de Menon; and the pleasant gaiety