for a picture, whether on canvas or in the mind, standing amidst its great old trees, with nothing but the moist green meadows and the river between. One evening, during the late summer of this wettest season, when the rain was beginning to cease, I went out this way for my stroll, the pleasantest if not the only "walk" there is in Salisbury. It is true, there are two others: one to Wilton by its long, shady avenue; the other to Old Sarum; but these are now motor-roads, and until the loathed hooting and dusting engines are thrust away into roads of their own there is little pleasure in them for the man on foot. The rain ceased, but the sky was still stormy, with a great blackness beyond the cathedral and still other black clouds coming up from the west behind me. Then the sun, near its setting, broke out, sending a flame of orange colour through the dark masses around it, and at the same time flinging a magnificent rainbow on that black cloud against which the immense spire stood wet with rain and flushed with light, so that it looked like a spire built of a stone impregnated with silver. Never had Nature so glorified man's work! It was indeed a marvellous thing to see, an effect so rare that in all the years I had known Salisbury, and the many times I had taken that stroll in all weathers, it was my first experience of such a thing. How lucky, then, was Constable to have seen it, when he set himself to paint his famous picture! And how brave he was and even wise to have attempted such a subject, one which, I am informed by artists with the brush, only a madman would undertake, however great a genius he might be. It was impossible, we know, even to a Constable, but we admire his failure nevertheless, even as we admire Turner's many failures; but when we go back to Nature we are only too glad to forget all about the picture.
The view from the meadows will not, in the future, I fear, seem so interesting to me; I shall miss the rainbow, and shall never see again except in that treasured image the great spire as Constable saw and tried to paint it. In like manner, though for a different reason, my future visits to Old Sarum will no longer give me the same pleasure experienced on former occasions.
Old Sarum stands over the Avon, a mile and a half from Salisbury; a round chalk hill about 300 feet high, in its round shape and isolation resembling a stupendous tumulus in which the giants of antiquity were buried, its steeply sloping, green sides ringed about with vast, concentric earth-works and ditches, the work of the "old people," as they say on the Plain, when referring to the ancient Britons, but how ancient, whether invading Celts or Aborigines--the true Britons, who possessed the land from neolithic times--even the anthropologists, the wise men of to-day, are unable to tell us. Later, it was a Roman station, one of the most important, and in after ages a great Norman castle and cathedral city, until early in the thirteenth century, when the old church was pulled down and a new and better one to last for ever was built in the green plain by many running waters. Church and people gone, the castle fell into ruin, though some believe it existed down to the fifteenth century; but from that time onwards the site has been a place of historical memories and a wilderness. Nature had made it a sweet and beautiful spot; the earth over the old buried ruins was covered with an elastic turf, jewelled with the bright little flowers of the chalk, the ramparts and ditches being all overgrown with a dense thicket of thorn, holly, elder, bramble, and ash, tangled up with ivy, briony, and traveller's-joy. Once only during the last five or six centuries some slight excavations were made when, in 1834, as the result of an excessively dry summer, the lines of the cathedral foundations were discernible on the surface. But it will no longer be the place it was, the Society of Antiquaries having received permission from the Dean and
Chapter of
Salisbury to work their sweet will on the site. That ancient, beautiful carcass, which had long made their mouths water, on which they have now fallen like a pack of hungry hyenas to tear off the old hide of green turf and burrow down to open to the light or drag out the deep, stony framework. The beautiful surrounding thickets, too, must go, they tell me, since you cannot turn the hill inside out without destroying the trees and bushes that crown it. What
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