A Sappho of Green Springs | Page 3

disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Literary Archive Foundation" the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions of money, time, public domain etexts, and royalty free copyright licenses. If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: [email protected]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.07.00*END*

*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

A SAPPHO OF GREEN SPRINGS
by
Bret Harte

CONTENTS
A SAPPHO OF GREEN SPRINGS
THE CHATELAINE OF BURNT RIDGE
THROUGH THE SANTA CLARA WHEAT
A MAECENAS OF THE PACIFIC SLOPE

A SAPPHO OF GREEN SPRINGS

CHAPTER I
"Come in," said the editor.
The door of the editorial room of the "Excelsior Magazine" began to creak painfully under the hesitating pressure of an uncertain and unfamiliar hand. This continued until with a start of irritation the editor faced directly about, throwing his leg over the arm of his chair with a certain youthful dexterity. With one hand gripping its back, the other still grasping a proof-slip, and his pencil in his mouth, he stared at the intruder.
The stranger, despite his hesitating entrance, did not seem in the least disconcerted. He was a tall man, looking even taller by reason of the long formless overcoat he wore, known as a "duster," and by a long straight beard that depended from his chin, which he combed with two reflective fingers as he contemplated the editor. The red dust which still lay in the creases of his garment and in the curves of his soft felt hat, and left a dusty circle like a precipitated halo around his feet, proclaimed him, if not a countryman, a recent inland importation by coach. "Busy?" he said, in a grave but pleasant voice. "I kin wait. Don't mind ME. Go on."
The editor indicated a chair with his disengaged hand and plunged again into his proof-slips. The stranger surveyed the scant furniture and appointments of the office with a look of grave curiosity, and then, taking a chair, fixed an earnest, penetrating gaze on the editor's profile. The editor felt it, and, without looking up, said--
"Well, go on."
"But you're busy. I kin wait."
"I shall not be less busy this morning. I can listen."
"I want you to give me the name of a certain person who writes in your magazine."
The editor's eye glanced at the second right-hand drawer of his desk. It did not contain the names of his contributors, but what in the traditions of his office was accepted as an equivalent,--a revolver. He had never yet presented either to an inquirer. But he laid aside his proofs, and, with a slight darkening of his youthful, discontented face, said, "What do you want to know for?"
The question was so evidently unexpected that the stranger's face colored slightly, and he hesitated. The editor meanwhile, without taking his eyes from the man, mentally ran over the contents of the last magazine. They had been of a singularly peaceful character. There seemed to be nothing to justify homicide on his part or the stranger's. Yet there was no knowing, and his