A Rebellious Heroine | Page 4

of the every-day life of the people of whom he writes? What historian ever so vitalized Louis the Fourteenth as Dumas has vitalized him? Truly, in reading mere history I have seemed to be reading of lay figures, not of men; but when the novelist has taken hold properly--ah, then we get the men."
"Then," objected the Professor, "the novelist is never to create a great character?"
"The humorist or the mere romancer may, but as for the novelist with a true ideal of his mission in life he would better leave creation to nature. It is blasphemy for a purely mortal being to pretend that he can create a more interesting character or set of characters than the Almighty has already provided for the use of himself and his brothers in literature; that he can involve these creations in a more dramatic series of events than it has occurred to an all-wise Providence to put into the lives of His creatures; that, by the exercise of that misleading faculty which the writer styles his imagination, he can portray phases of life which shall prove of more absorbing interest or of greater moral value to his readers than those to be met with in the every-day life of man as he is."
"Then," said the Professor, with a dexterous jab of his cue at the pool-balls--"then, in your estimation, an author is a thing to be led about by the nose by the beings he selects for use in his books?"
"You put it in a rather homely fashion," returned Harley; "but, on the whole, that is about the size of it."
"And all a man needs, then, to be an author is an eye and a type- writing machine?" asked the Professor.
"And a regiment of detectives," drawled Dr. Kelly, the young surgeon, "to follow his characters about."
Harley sighed. Surely these men were unsympathetic.
"I can't expect you to grasp the idea exactly," he said, "and I can't explain it to you, because you'd become irreverent if I tried."
"No, we won't," said Kelly. "Go on and explain it to us--I'm bored, and want to be amused."
So Harley went on and tried to explain how the true realist must be an inspired sort of person, who can rise above purely physical limitations; whose eye shall be able to pierce the most impenetrable of veils; to whom nothing in the way of obtaining information as to the doings of such specimens of mankind as he has selected for his pages is an insurmountable obstacle.
"Your author, then, is to be a mixture of a New York newspaper reporter and the Recording Angel?" suggested Kelly.
"I told you you'd become irreverent," said Harley; "nevertheless, even in your irreverence, you have expressed the idea. The writer must be omniscient as far as the characters of his stories are concerned--he must have an eye which shall see all that they do, a mind sufficiently analytical to discern what their motives are, and the courage to put it all down truthfully, neither adding nor subtracting, coloring only where color is needed to make the moral lesson he is trying to teach stand out the more vividly."
"In short, you'd have him become a photographer," said the Professor.
"More truly a soulscape-painter," retorted Harley, with enthusiasm.
"Heavens!" cried the Doctor, dropping his cue with a loud clatter to the floor. "Soulscape! Here's a man talking about not creating, and then throws out an invention like soulscape! Harley, you ought to write a dictionary. With a word like soulscape to start with, it would sweep the earth!"
Harley laughed. He was a good-natured man, and he was strong enough in his convictions not to weaken for the mere reason that somebody else had ridiculed them. In fact, everybody else might have ridiculed them, and Harley would still have stood true, once he was convinced that he was right.
"You go on sawing people's legs off, Billy," he said, good-naturedly. "That's a thing you know about; and as for the Professor, he can go on showing you and the rest of mankind just why the shortest distance between two points is in a straight line. I'll take your collective and separate words for anything on the subject of surgery or mathematics, but when it comes to my work I wouldn't bank on your theories if they were endorsed by the Rothschilds."
"He'll never write a decent book in his life if he clings to that theory," said Kelly, after Harley had departed. "There's precious little in the way of the dramatic nowadays in the lives of people one cares to read about."
Nevertheless, Harley had written interesting books, books which had brought him reputation, and what is termed genteel poverty--that is to say, his fame was great, considering his age, and his compensation was just large enough to make life painful to him. His