A Mummers Wife | Page 9

person in the house, especially an actor, would give his wife and mother more work to do.
'But I shall soon be well,' he said, 'and I dare say downstairs looking after the shop in a week.'
Kate protested against such imprudence, and then suggested she should go and see after his breakfast. Ralph proffered no objection, and bidding him goodbye for the present, she went downstairs. Annie was helping Mrs. Ede to make the toast in the front kitchen; Lizzie stood at the table buttering it, but as soon as Kate entered they returned to their sewing, for it was against Kate's theories that the apprentices should assist in the household work.
'Dear mother,' she began, but desisted, and when all was ready Mrs. Ede, remembering she had to make peace with her son, seized the tray and went upstairs. And the moment she was gone Kate seated herself wearily on the red, calico-covered sofa. Like an elongated armchair, it looked quaint, neat, and dumpy, pushed up against the wall between the black fireplace on the right and the little window shaded with the muslin blinds, under which a pot of greenstuff bloomed freshly. She lay back thinking vaguely, her cup of hot tea uppermost in her mind, hoping that Mrs. Ede would not keep her waiting long; and then, as her thoughts detached themselves, she remembered the actor whom they expected that afternoon. The annoyances which he had unconsciously caused her had linked him to her in a curious way, and all her prejudices vanished in the sensation of nearness that each succeeding hour magnified, and she wondered who this being was who had brought so much trouble into her life even before she had seen him. As the word 'trouble' went through her mind she paused, arrested by a passing feeling of sentimentality; but it explained nothing, defined nothing, only touched her as a breeze does a flower, and floated away. The dreamy warmth of the fire absorbed her more direct feelings, and for some moments she dozed in a haze of dim sensuousness and emotive numbness. As in a dusky glass, she saw herself a tender, loving, but unhappy woman; by her side were her querulous husband and her kindly-minded mother-in-law, and then there was a phantom she could not determine, and behind it something into which she could not see. Was it a distant country? Was it a scene of revelry? Impossible to say, for whenever she attempted to find definite shapes in the glowing colours they vanished in a blurred confusion.
But amid these fleeting visions there was one shape that particularly interested her, and she pursued it tenaciously, until in a desperate effort to define its features she awoke with a start and spoke more crossly than she intended to the little girls, who had pulled aside the curtain and were intently examining the huge theatrical poster that adorned the corner of the lane. But as she scolded she could not help smiling; for she saw how her dream had been made out of the red and blue dresses of the picture.
The arrival of each new company in the town was announced pictorially on this corner wall, and, in the course of the year, many of the vicissitudes to which human life is liable received illustration upon it. Wrecks at sea, robberies on the highways, prisoners perishing in dungeons, green lanes and lovers, babies, glowing hearths, and heroic young husbands. The opera companies exhibited the less serious sides of life--strangely dressed people and gallants kissing their hands to ladies standing on balconies.
The little girls examined these pictures and commented on them; and on Saturdays it was a matter of the keenest speculation what the following week would bring them. Lizzie preferred exciting scenes of murder and arson, while Annie was moved more by leavetakings and declarations of unalterable affection. These differences of taste often gave rise to little bickerings, and last week there had been much prophesying as to whether the tragic or the sentimental element would prove next week's attraction. Lizzie had voted for robbers and mountains, Annie for lovers and a nice cottage. And, remembering their little dispute, Kate said:
"Well, dears, is it a robber or a sweetheart?"
"We're not sure," exclaimed both children in a disappointed tone of voice; "we can't make the picture out." Then Lizzie, who cared little for uncertainties, said:
"It isn't a nice picture at all; it is all mixed up."
"Not a nice picture at all, and all mixed up?" said Kate, smiling, yet interested in the conversation. "And all mixed up; how is that? I must see if I can make it out myself."
The huge poster contained some figures nearly life-size. It showed a young girl in a bridal dress and wreath struggling between two police agents, who were arresting her