A Mere Accident | Page 3

George Moore
are an icy grey. Mrs Norton is a handsome woman. Her fashionably-cut silk fits her perfectly; the skirt is draped with grace and precision, and the glossy shawl with the long soft fringe is elegant and delightfully mundane. She raises her double gold eyeglasses, and, contracting her forehead, stares pryingly about her; and so fashionable is she, and her modernity is so picturesque, that for a moment you think of the entrance of a duchess in the first act of a piece by Augier played on the stage of the Fran?ais.
Still holding her gold-rimmed glasses to her eyes, she descended the broad stairs to the hall, and from thence she went into the library. There are two small bookcases filled with sombre volumes, and the busts of Molière and Shakespeare attempt to justify the appellation. But there is in the character, I was almost going to say in the atmosphere of the room, that same undefinable, easily recognizable something which proclaims the presence of non-readers. The traces of three or four days, at the most a week, which John occasionally spent at Thornby Place, were necessarily ephemeral, and the weakness of Mrs Norton's sight rendered continuous reading impossible. Sometimes Kitty Hare brought a novel from the circulating library to read aloud, and sometimes John forgot one of his books, and a volume of Browning still lay on the table. The room was filled with shadow and mournfulness, and in a dusty grate the fire smouldered.
Between this room and the drawing-room, in a recess formed by the bow window, Mrs Norton kept her birds, and still peering through her gold-rimmed glasses, she examined their seed-troughs and water-glasses, and, having satisfied herself as to their state, she entered the drawing-room. There is little in this room; no pictures relieve the widths of grey colourless wall paper, and the sombre oak floor is spaced with a few pieces of furniture--heavy furniture enshrouded in grey linen cloths. Three French cabinets, gaudy with vile veneer and bright brass, are nailed against the walls, and the empty room is reflected dismally in the great gold mirror which faces the vivid green of the sward and the duller green of the encircling elms of the park.
Mrs Norton let her eyes wander, and sighing she went into the dining-room. The dining-room is always the most human of rooms, and the dining-room in Thornby Place, although allied to the other rooms in an absence of fancy in its arrangement, shows prettily in contrast to them with its white cloth cheerful with flowers and ferns. The floor is covered with a tightly stretched red cloth, the chairs are set in symmetrical rows; with the exception of a black clock there is no ornament on the chimney-piece, and a red cloth screen conceals the door used by the servants.
Mrs Norton walked with her quiet decisive step to the window, and holding the gold-rimmed glasses to her eyes, she looked into the landscape as if she were expecting someone to appear. The day was grimy with clouds; mist had risen, and it hung out of the branches of the elms like a veil of white gauze. Withdrawing her eye from the vague prospect before her, Mrs Norton played listlessly with the tassel of one of the blinds. "Surely," she thought, "he cannot have been foolish enough to have walked over the downs such a day as this;" then, raising her glasses again she looked out at the smallest angle with the wall of the house, so that she should get sight of a vista through which any one coming from Shoreham would have to pass. Presently a silhouette appeared on the sullen sky. Mrs Norton moved precipitately from the window, and she rang the bell sharply.
"John," she said, "Mr Hare has been going in for one of his long walks. I see him now coming across the park. I am sure he has walked over the downs; if so he must be wet through. Have a fire lighted in Mr Norton's room, put up a pair of slippers for him: here is the key of Mr Norton's wardrobe; let Mr Hare have what he wants."
And having detached one from the many bunches which filled her basket, she went herself to open the door to her visitor. He was however still some distance away, and standing in the shelter of the loggia she waited for him, watched the vague silhouette resolving itself into colour and line. But it was not until he climbed the iron fence which separated the park from the garden grounds that the figure grew into its individuality. Then you saw a man of about forty, about the medium height and inclined to stoutness. His face was round and florid, and it was set with sandy whiskers. His white necktie
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