A Little Book of Stoicism | Page 5

well in expository discourses and dialectic as the knowledge of how to argue rightly in matters of question and answer. Both rhetoric and dialectic were spoken of by the Stoics as virtues for they divided virtue in its most generic sense in the same way as they divided philosophy into physical, ethical, and logical. Rhetoric and dialectic were thus the two species of logical virtue. Zeno expressed their difference by comparing rhetoric to the palm and dialectic to the fist.
Instead of throwing in poetic and grammar with rhetoric, the Stoics subdivided dialectic into the part which dealt with the meaning and the part which dealt with the sound, or as Chrysippus phrased it, concerning significants and significates. Under the former came the treatment of the alphabet, of the parts of speech, of solecism, of barbarism, of poems, of amphibolies, of metre and music--a list which seems at first sight a little mixed, but in which we can recognise the general features of grammar, with its departments of phonology, accidence, and prosody. The treatment of solecism and barbarism in grammar corresponded to that of fallacies in logic. With regard to the alphabet it is worth noting that the Stoics recognised seven vowels and six mutes. This is more correct than our way of talking of nine mutes, since the aspirate consonants are plainly not mute. There were, according to the Stoics, five parts of speech--name, appellative, verb, conjunction, article. 'Name' meant a proper name, and 'appellative' a common term.
There were reckoned to be five virtues of speech--Hellenism, clearness, conciseness, propriety, distinction. By 'Hellenism' was meant speaking good Greek. 'Distinction' was defined to be 'a diction which avoided homeliness.' Over against these there were two comprehensive vices, barbarism and solecism, the one being an offence against accidence, the other against syntax.
The famous comparison of the infant mind to a blank sheet of paper, which we connect so closely with the name of Locke, really comes from the Stoics. The earliest characters inscribed upon it were the impressions of sense, which the Greeks called "phantasies." A phantasy was defined by Zeno as "an impression in the soul." Cleanthes was content to take this definition in its literal sense, and believe that the soul was impressed by external objects as wax by a signet ring. Chrysippus, however, found a difficulty here, and preferred to interpret the Master's saying to mean an alteration or change in the soul. He figured to himself the soul as receiving a modification from every external object which acts upon it just as the air receives countless strokes when many people are speaking at once. Further, he declared that in receiving an impression the soul was purely passive and that the phantasy revealed not only its own existence, but that also of its cause, just as light displays itself and the things that are in it. Thus, when through sight we receive an impression of white, an affection takes place in the soul, in virtue whereof we are able to say that there exists a white object affecting us. The power to name the object resides in the understanding. First must come the phantasy, and the understanding, having the power of utterance, expresses in speech the affection it receives from the object. The cause of the phantasy was called the "phantast," e. g. the white or cold object. If there is no external cause, then the supposed object of the impression was a "phantasm," such as a figure in a dream, or the Furies whom Orestes sees in his frenzy.
How then was the impression which had reality behind it to be distinguished from that which had not? "By the feel" is all that the Stoics really had to say in answer to this question. Just as Hume made the difference between sense-impressions and ideas to lie in the greater vividness of the former, so did they; only Hume saw no necessity to go beyond the impression, whereas the Stoics did. Certain impressions, they maintained, carried with them an irresistible conviction of their own reality, and this, not merely in the sense that they existed; but also that they were referable to an external cause. These were called "gripping phantasies." Such a phantasy did not need proof of its own existence, or of that of its object. It possessed self-evidence. Its occurrence was attended with yielding and assent on the part of the soul. For it is as natural for the soul to assent to the self-evident as it is for it to pursue its proper good. The assent to a griping phantasy was called "comprehension," as indicating the firm hold that the soul thus took of reality. A gripping phantasy was defined as one which was stamped and impressed from an existing object, in virtue of that object itself, in