A Hero and Some Other Folks,
by William A.
The Project Gutenberg eBook, A Hero and Some Other Folks, by
William A. Quayle
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: A Hero and Some Other Folks
Author: William A. Quayle
Release Date: October 27, 2006 [eBook #19647]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK A HERO
AND SOME OTHER FOLKS***
E-text prepared by Al Haines
A HERO AND SOME OTHER FOLKS
by
WILLIAM A. QUAYLE
Author of "The Poet's Poet and Other Essays"
Cincinnati: Jennings & Pye New York: Eaton & Mains Copyright,
1900, by The Western Methodist Book Concern
To think some one will care to listen to us, and to believe we do not
speak to vacant air but to listening hearts, is always sweet. That friends
have listened to this author's spoken and written words with apparent
gladness emboldens him to believe they will give him hearing once
again.
May some one's eyes be lightened, some one's burden be lifted from his
shoulders for an hour of rest, some one's landscape grow larger, fairer,
and more fruitful, because these essays have been written.
WILLIAM A. QUAYLE.
Contents
I. JEAN VALJEAN II. SOME WORDS ON LOVING
SHAKESPEARE III. CALIBAN IV. WILLIAM THE SILENT V.
THE ROMANCE OF AMERICAN GEOGRAPHY VI.
ICONOCLASM IN NINETEENTH-CENTURY LITERATURE VII.
TENNYSON THE DREAMER VIII. THE AMERICAN
HISTORIANS IX. KING ARTHUR X. THE STORY OF THE
PICTURES XI. THE GENTLEMAN IN LITERATURE XII. THE
DRAMA OF JOB
A Hero and Some Other Folks
I
Jean Valjean
The hero is not a luxury, but a necessity. We can no more do without
him than we can do without the sky. Every best man and woman is at
heart a hero-worshiper. Emerson acutely remarks that all men admire
Napoleon because he was themselves in possibility. They were in
miniature what he was developed. For a like though nobler reason, all
men love heroes. They are ourselves grown tall, puissant, victorious,
and sprung into nobility, worth, service. The hero electrifies the world;
he is the lightning of the soul, illuminating our sky, clarifying the air,
making it thereby salubrious and delightful. What any elect spirit did,
inures to the credit of us all. A fragment of Lowell's clarion verse may
stand for the biography of heroism:
"When a deed is done for Freedom, through the broad earth's aching
breast Runs a thrill of joy prophetic, trembling on from east to west;
And the slave, where'er he cowers, feels the soul within him climb To
the awful verge of manhood, as the energy sublime Of a century bursts
full-blossomed on the thorny stem of Time;"
such being the undeniable result and history of any heroic service.
But the world's hero has changed. The old hero was Ulysses, or
Achilles, or Aeneas. The hero of Greek literature is Ulysses, as Aeneas
is in Latin literature. But to our modern thought these heroes miss of
being heroic. We have outgrown them as we have outgrown dolls and
marbles. To be frank, we do not admire Aeneas nor Ulysses. Aeneas
wept too often and too copiously. He impresses us as a big cry-baby.
Of this trinity of classic heroes--Ulysses, Aeneas, and
Achilles--Ulysses is least obnoxious. This statement is cold and
unsatisfactory, and apparently unappreciative, but it is candid and just.
Lodge, in his "Some Accepted Heroes," has done service in rubbing the
gilding from Achilles, and showing that he was gaudy and cheap. We
thought the image was gold, which was, in fact, thin gilt. Achilles sulks
in his tent, while Greek armies are thrown back defeated from the
Trojan gates. In nothing is he admirable save that, when his pouting fit
is over and when he rushes into the battle, he has might, and overbears
the force opposing him as a wave does some petty obstacle. But no
higher quality shines in his conquest. He is vain, brutal, and impervious
to high motive. In Aeneas one can find little attractive save his filial
regard. He bears Anchises on his shoulders from toppling Troy; but his
wanderings constitute an Odyssey of commonplaces, or chance, or
meanness. No one can doubt Virgil meant to create a hero of
commanding proportions, though we, looking at him from this far
remove, find him uninteresting, unheroic, and vulgar; and why the
goddess should put herself out to allay tempests in his behalf, or why
hostile deities should be disturbed to tumble seas into turbulence for
such a voyager, is a query. He merits neither their wrath nor
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.