A Heart-Song of To-day | Page 7

open window, throwing himself at her feet with many caresses, bids her be consoled, points to the dilapidated hangings, seems to contrast her surroundings with his own wealth, displaying his diamond jewels, his watch, his well-filled purse. She seems to be half frightened at his words; when gazing up at a portrait of her uncle, showing him a little worn and sad, a sudden resolve seems to seize her; she evidently consents to his wish, for his face glows and he embraces her, while drying her tears. She now leaves the room, returns in out-door costume; he, laughing and excited, braids her lovely hair; her sweet face is a trifle pale; a jewelled comb holds together the heavy braids. She now pets two or three dogs, feeds her birds from her hand, climbs on to a table, kisses the portrait of her uncle, the tears starting afresh, picks a few blossoms from her favourite flowers, and they make their exit.
TABLEAUX VIVANTS.
No. 4.
_A few days later--Same scene_.
Enter a lady, purely the Gaul in face and gesture, excited though decided in manner; with her two Frenchmen, the one a priest, the other a man of law. Following, and looking grief-stricken to the last degree, comes the youth of last scene. Vaura follows pale and sad, her uncle's arm around her; priest takes a ring from Vaura's finger; with a sharp instrument cuts it in twain. Lawyer takes a paper, reads, holds it in view of all, then tears into smallest fragments. Youth grows fearfully excited, tries to snatch it. Lady says a few words to him, her teeth set; he yields in despair. They all then kiss the Book, evidently making oath.
The past is again veiled, and we love the actors too well to endeavour to solve what they have apparently sworn shall not be revealed. The following eight years of Vaura's life have been spent chiefly at Paris, at the Seminaire of Madame Rocheforte, bringing us to 1877, the intangible present, a mere cobweb dividing as it does our past, as it silently recedes from our winged future.

CHAPTER III
.
THE FATES SPIN WITH THREADS OF BLACK.
We now return to Captain Trevalyon, as he leaves the residence of Mrs. Tompkins, No. ---- Eaton Square. He quickly seats himself in his dogcart, still standing at the door. When grasping the reins from his servant drives rapidly to Park Lane and the town house of his friend, the Lady Esmondet, who loves him well, as all women do who have his friendship; and with whom, now that he has left the army, he spends (during the season) much of his time. But now his thoroughbreds, King and Prance, have sped so quickly through Belgravia that their destination is reached.
"Just as I feared, Fate is against me," he thought, glancing at the house; "nothing has delayed them, they are off, I have again missed her."
Aloud he says to his servant: "Sims, go to the door and enquire if Lady Esmondet has really gone; if so, has she left any message for me."
"Yes, sir."
Returning, he hands a letter to his master, saying:
"Her ladyship left this with the housekeeper for you, sir, and Grimes says, sir, they waited 'til the last minute for you, sir."
Not delaying to peruse the written words of his friend, he drove with all speed to the Great Northern Station, only to learn that the train had left on time at midnight, when, turning his horses' heads once more, and for his hotel, he has soon reached the "Langham." On gaining his own apartments his great dog Mars gives a whine of satisfaction at the return of his master, who, throwing himself wearily into a favourite chair, while the smoke from his cigar curls upwards, takes from his pocket the delicate epistle with the perfume of violets upon it, and which reads as follows:
"Lionel, _mon cher ami_, I feel it in my heart to scold you. How is it you are not with us? The Claxtons will hear of no further delay. So while they get into travelling gear, must have a one-sided leave-taking with you, as we must needs leave Park Lane without a hand-clasp. Vaura, always lovely, is more bewitching than ever tonight, as she talked earnestly to Travers Guy Cyril, you will remember him. She looked not unlike Guido's Beatrice; (I don't mean the daubs one sees, but Guido's own), the same soul-full eyes, Grecian nose, and lovely full curved lips. Guy, always melancholy, Vaura, always sympathetic, the reflection of his sad eyes lent to hers a deep tenderness; that he loves her hopelessly, poor fellow, is only too evident, he bid us adieu for a New York trip, thence, he seemed to think, no one cared. And so, lives are parted; one is inclined to quarrel with Fate at times;