A Golden Book of Venice

A Golden Book of Venice

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Title: A Golden Book of Venice
Author: Mrs. Lawrence Turnbull
Release Date: December 14, 2003 [EBook #10455]
Language: English
Character set encoding: ISO-8859-1
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BOOK OF VENICE ***

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THE GOLDEN BOOK OF VENICE
A Historical Romance of the 16th Century
By
MRS. LAWRENCE TURNBULL
'This noble citie doth in a manner chalenge this at my hands, that I
should describe her ... the fairest Lady, yet the richest Paragon, and
Queene of Christendome.'
1900
AS A TRIBUTE TO HIS GIFT OF VIVID HISTORIC NARRATION

WHICH WAS THE DELIGHT OF MY CHILDHOOD, I INSCRIBE
THIS ROMANCE TO THE MEMORY OF MY DEAR FATHER.

ACKNOWLEDGMENT
I desire gratefully to acknowledge my indebtedness to many faithful,
loving and able students of Venetian lore, without whose books my
own presentation of Venice in the sixteenth century would have been
impossible. Mr. Ruskin's name must always come first among the
prophets of this City of the Sea, but among others from whom I have
gathered side-lights I have found quite indispensable Mr. Horatio F.
Brown's "Venice; An Historical Sketch of the Republic," "Venetian
Studies," and "Life on the Lagoons"; Mr. Hare's suggestive little
volume of "Venice"; M. Léon Galibert's "Histoire de la République de
Venise"; and Mr. Charles Yriarte's "Venice" and his work studied from
the State papers in the Frari, entitled "La vie d'un Patricien de Venise."
Mr. Robertson's life of Fra Paolo Sarpi gave me the first hint of this
great personality, but my own portrait has been carefully studied from
the volumes of his collected works which later responded to my search;
these were collected and preserved for the Venetian government under
the title of "Opere di Fra Paolo Sarpi, Servita, Teologo e Consultore
della Serenissima Repubblica di Venezia" and included his life, letters
and "opinions," and all others of his writings which escaped destruction
in the fire of the Servite Convent, as well as many important extracts
from the original manuscripts so destroyed and which had been
transcribed by order of the Doge, Marco Foscarini, a few years before.
FRANCESE LITCHFIELD TURNBULL.
_La-Paix, June_, 1900.

PRELUDE
Venice, with her life and glory but a memory, is still the _citta
nobilissima_,--a city of moods,--all beautiful to the beauty-lover, all
mystic to the dreamer; between the wonderful blue of the water and the
sky she floats like a mirage--visionary--unreal--and under the spell of
her fascination we are not critics, but lovers. We see the pathos, not the
scars of her desolation, and the splendor of her past is too much a part
of her to be forgotten, though the gold is dim upon her palace-fronts,

and the sheen of her precious marbles has lost its bloom, and the colors
of the laughing Giorgione have faded like his smile.
But the very soul of Venetia is always hovering near, ready to be
invoked by those who confess her charm. When, under the glamor of
her radiant skies the faded hues flash forth once more, there is no ruin
nor decay, nor touch of conquering hand of man nor time, only a
splendid city of dreams, waiting in silence--as all visions wait--until
that invisible, haunting spirit has turned the legends of her power into
actual activities.

THE GOLDEN BOOK OF VENICE
I
Sea and sky were one glory of warmth and color this sunny November
morning in 1565, and there were signs of unusual activity in the Campo
San Rocco before the great church of Santa Maria Gloriosa dei Frari,
which, if only brick without, was all glorious within, "in raiment of
needlework" and "wrought gold." And outside, the delicate tracery of
the cornice was like a border of embroidery upon the sombre surface;
the sculptured marble doorway was of surpassing richness, and the airy
grace of the campanile detached itself against the entrancing blue of the
sky, as one of those points of beauty for which Venice is memorable.
Usually this small square, remote from the centres of traffic as from the
homes of the nobility, seemed scarcely more than a landing-place for
the gondolas which were constantly bringing visitors and worshippers
thither, as to a shrine; for this church was a sort of memorial abbey to
the illustrious dead of Venice,--her Doges, her generals, her artists, her
heads of noble families,--and the monuments were in keeping with all
its sumptuous decorations, for