that to write a good was to write a faultless Piece. By which means their whole Work becomes one general Fault.
This Censure, I fear, would fall pretty heavy on the [A]Criticks of _France_; if this were a proper Place to persue the Argument in. But Sophy thus resum'd his Talk.
[Footnote A: In the Preface to the Second Part of our Pastorals, _viz._ THE BASHFUL-SWAIN, and BEAUTY AND SIMPLICITY, we have shown to what Perfection the whole Science of CRITICISM _was brought by the Ancients, then what Progress the_ French Criticks _have further made, and also what remains as yet untouch'd, and uncompleat_.]
In this, said he, I like your Temper, Cubbin. By those few Pieces we have seen of your's, and those I hear you have in Manuscript, you seem determin'd to engage in those Kinds of Poetry and those Subjects in Criticism, which the Ancients have left us most imperfect. Here, if you fail, you may be still some help to him who shall Attempt it next; and if all decline it, apprehensive of no fair success, how should it ever attain Perfection.
Then Cubbin told the _Critick_, that the reason of his entering upon Pastoral, where the Labour was excessive and the Honour gain'd minute, was this; He had unhappily reflected on that thing, we call a Name, so thoroughly, and weigh'd so closely what like Happiness it would afford, that he could now receive no pleasure from the Thoughts of growing famous; nor would write one Hour in any little kind of Poetry, which was not able to take up and possess his Mind with Pleasure, tho' it would procure him the most glaring Character in Christendom. This Temper was especially conspicuous while he tarried at the Fountain where he imbibed the little Knowledge he possesses. He seem'd as out of humour with Applause, and dafted aside the Wreath if ever any seem'd dispos'd to offer it.
I' faith, said _Cubbin_, I am nothing careful whether any Pastorals be cry'd up or not. Were I dispos'd to write for a Name, no whit would I engage in either the Sublime or Soft in Writing: For as the middle Way, made up of both, is vastly easiest to attain; so is it pleasant to the most Imaginations, and acquires the widest Character.
There are originally, answer'd Sophy, no perfect and real Kinds of Writing but them two. As for the Strong Lines, 'tis supplying the want of the Sublime with the Courtly and Florid Stile; as what we usually call the Fine and Agreeable is but bastard and degenerate from the truly Tender. But yet it must be added that this suits the Populace the best.
Here Cubbin answer'd Sophy, that these were pretty ways of making Verses, but his mind was of such a peculiar Turn, that it requir'd some greater Design, and more laborious to occupy it, or else it would not be sufficiently engag'd to be delighted. Twould not be taken off from reflecting on what a stupid Dream is Life; and what trifling and impertinent Creatures all Mankind. Unless, said He, I'm busy'd, and in a hurry, I can't impose upon my self the Thought that I am a Being of some little significance in the Creation; I can't help looking forward and discovering how little better I shall be if I write well, or ill, or not at all. I would fain perswade my self, continued he, that a Shakespear and a Milton see us now take their Works in hand with Pleasure and read with Applause.
Tis certain, answer'd Sophy, that the less we know of Nature and our Selves, the more is Life delightful. If we take all things as we see 'em, Life is a good simple kind of Dream enough, but if we awaken out of the dull Lethargy, we are so unhappy as to discover, that tis all and every thing Folly, and Nonsense and Stupidity.--But we walk in a vain Shadow and disquiet our selves in vain.
Here Cubbin fell with his Face to the Ground, and said, I prethee now no more of this; your Book you open'd but forgot to give me the Contents.
Sophy recollected him; and told the Swain, That Book contain'd some Rules for his Direction. But as I have not patience, added he, to make a Treatise of some hundred Pages, which consists of other Persons Hints, but flourish'd and dilated on; or the Rules and Observations of the Anciants set in a different Light; I shall first sum up the whole Discoverys the French or any other Criticks yet have made in Pastoral; and where they have left it I shall take the Subject, and try how far beyond I am able to carry it. For after that, every single Thought will be the free Sentiment of my
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