A Desert Drama | Page 4

bending over the same guide-book.
The little Korosko puffed and spluttered her way up the river, kicking up the white water behind her, and making more noise and fuss over her five knots an hour than an Atlantic liner on a record voyage. On deck, under the thick awning, sat her little family of passengers, and every few hours she eased down and sidled up to the bank to allow them to visit one more of that innumerable succession of temples. The remains, however, grow more modern as one ascends from Cairo, and travellers who have sated themselves at Gizeh and Sakara with the contemplation of the very oldest buildings which the hands of man have constructed, become impatient of temples which are hardly older than the Christian era. Ruins which would be gazed upon with wonder and veneration in any other country are hardly noticed in Egypt. The tourists viewed with languid interest the half-Greek art of the Nubian bas-reliefs; they climbed the hill of Korosko to see the sun rise over the savage Eastern desert; they were moved to wonder by the great shrine of Abou-Simbel, where some old race has hollowed out a mountain as if it were a cheese; and, finally, upon the evening of the fourth day of their travels they arrived at Wady Haifa, the frontier garrison town, some few hours after they were due, on account of a small mishap in the engine-room. The next morning was to be devoted to an expedition to the famous rock of Abousir, from which a great view may be obtained of the second cataract. At eight-thirty, as the passengers sat on deck after dinner, Mansoor, the dragoman, half Copt half Syrian, came forward, according to the nightly custom, to announce the programme for the morrow.
"Ladies and gentlemen," said he, plunging boldly into the rapid but broken stream of his English, "to-morrow you will remember not to forget to rise when the gong strikes you for to compress the journey before twelve o'clock. Having arrived at the place where the donkeys expect us, we shall ride five miles over the desert, passing a very fine temple of Ammon-ra which dates itself from the eighteenth dynasty upon the way, and so reach the celebrated pulpit rock of Abou-sir. The pulpit rock is supposed to have been called so because it is a rock like a pulpit. When you have reached it you will know that you are on the very edge of civilisation, and that very little more will take you into the country of the Dervishes, which will be obvious to you at the top. Having passed the summit, you will perceive the full extremity of the second cataract, embracing wild natural beauties of the most dreadful variety. Here all very famous people carve their names,--and so you will carve your names also."
[Illustration: So you will carve your names also p26]
Mansoor waited expectantly for a titter, and bowed to it when it arrived. "You will then return to Wady Haifa, and there remain two hours to suspect (sp.) the Camel Corps, including the grooming of the beasts, and the bazaar before returning, so I wish you a very happy good-night." There was a gleam of his white teeth in the lamplight, and then his long, dark petticoats, his short English cover-coat, and his red tarboosh vanished successively down the ladder. The low buzz of conversation which had been suspended by his coming broke out anew.
"I'm relying on you, Mr. Stephens, to tell me all about Abousir," said Miss Sadie Adams. "I do like to know what I am looking at right there at the time, and not six hours afterwards in my state-room. I haven't got Abou-Simbel and the wall pictures straight in my mind yet, though I saw them yesterday."
"I never hope to keep up with it," said her aunt. "When I am safe back in Commonwealth Avenue, and there's no dragoman to hustle me around, I'll have time to read about it all, and then I expect I shall begin to enthuse and want to come right back again. But it's just too good of you, Mr. Stephens, to try and keep us informed."
"I thought that you might wish precise information, and so I prepared a small digest of the matter," said Stephens, handing a slip of paper to Miss Sadie. She looked at it in the light of the deck lamp, and broke into her low, hearty laugh.
"Re Abousir," she read; "now, what do you mean by 're,' Mr. Stephens? You put 're Rameses the Second' on the last paper you gave me."
"It is a habit I have acquired, Miss Sadie," said Stephens; "it is the custom in the legal profession when they make a memo."
"Make what, Mr. Stephens?"
"A memo a memorandum, you know. We