A Daughter of To-Day | Page 8

and down for a few
minutes in front of the row against the wall, with his hands in his
pockets, reflecting, while Mrs. Bell discovered new beauties to the
author of them.
"We'll hang this lot in the dining-room," he said at length, "and those
black-and-whites with the oak mountings in the parlor. They'll go best
with the wall-paper there."
"Yes, papa."
"And I hope you won't mind, Elfrida," he added, "but I've promised that
they shall have one of your paintings to raffle off in the bazar for the
alterations in the Sunday-school next week."
"Oh no, papa. I shall be delighted."
Elfrida was sitting beside her mother on the sofa, and at the dose of this
proposition Mr. Bell came and sat there too. There was a silence for a
moment while they all three confronted the line of pictures leaning
against the wall Then Elfrida began to laugh, and she went on laughing,
to the astonishment of her parents, until the tears came into her eyes.
She stopped as suddenly, kissed her mother and father, and went
upstairs. "I'm afraid you've hurt Her feelings, Leslie," said Mrs. Bell,
when she had well gone.
But Elfrida's feelings had not been hurt, though one might say that the
evening left her sense of humor rather sore. At that moment she was
dallying with the temptation to describe the whole scene in a letter to a
valued friend in Philadelphia, who would have appreciated it with
mirth. In the end she did not write. It would have been too humiliating.
CHAPTER III.

"Pas mal, parbleu!" Lucien remarked, with pursed-out lips, running his
fingers through his shock of coarse hair, and reflectively scratching the
top of his big head as he stepped closer to Nadie Palicsky's elbow,
where she stood at her easel in his crowded atelier. The girl turned and
looked keenly into his face, seeking his eyes, which were on her work
with a considering, interested look. Satisfied, she sent a glance of
joyous triumph at a somewhat older woman, whose place was next, and
who was listening with the amiable effacement of countenance that is
sometimes a more or less successful disguise for chagrin. On this
occasion it seemed to fail, for Mademoiselle Palicsky turned her
attention to Lucien and her work again with a slight raising of the
eyebrows and a slighter sigh. Her face assumed a gentle melancholy, as
if she were pained at the exhibition of a weakness of her sex; yet it was
unnecessary to be an acute observer to read there the hope that Lucien's
significant phrase had not by any chance escaped her neighbor.
"The drawing of the neck," Lucien went on, "is excellently brutal."
Nadie wished he would speak a little louder, but Lucien always
arranged the carrying power of his voice according to the
susceptibilities of the atelier. He thrust his hands into his pockets and
still stood beside her, looking at her study of the nude model who posed
upon a table in the midst of the students. "In you, mademoiselle," he
added in a tone yet lower, "I find the woman and the artist divorced.
That is a vast advantage--an immense source of power. I am growing
more certain of you; you are not merely cleverly eccentric as I thought.
You have a great deal that no one can teach you. You have finished
that--I wish to take it downstairs to show the men. It will not be jeered
at, I promise you."
"Cher maitre! You mean it?"
"But certainly!"
The girl handed him the study with a look of almost doglike gratitude
in her narrow gray eyes. Lucien had never said so much to her before,
though the whole atelier had noticed how often he had been coming to
her easel lately, and had disparaged her in corners accordingly. She
looked at the tiny silver watch she wore in a leather strap on her left

wrist--he had spent nearly five minutes with her this time, watching her
work and talking to her, in itself a triumph. It was almost four o'clock,
and the winter daylight was going; presently they would all stop work.
Partly for the pleasure of being chaffed and envied and complimented
in the anteroom in the general washing of brushes, and partly to watch
Lucien's rapid progress among the remaining easels, Mademoiselle
Palicsky deliberately sat down, in a prematurely vacant chair, slung one
slender little limb over the other, and waited. As she sat there a
generous thought rose above her exultation. She hoped everybody else
in the atelier had guessed what Lucien was saying to her all that while,
and had seen him carry off her day's work, but not the little American.
The little American, who was at least thirteen inches taller than
Mademoiselle