A Damsel in Distress | Page 7

Pelham Grenville Wodehouse
hides of the citizenry; but it did not penetrate into Little Gooch Street, which, facing south and being narrow and sheltered, was enabled practically to bask.
Mac, the stout guardian of the stage door of the Regal Theatre, whose gilded front entrance is on the Avenue, emerged from the little glass case in which the management kept him, and came out to observe life and its phenomena with an indulgent eye. Mac was feeling happy this morning. His job was a permanent one, not influenced by the success or failure of the productions which followed one another at the theatre throughout the year; but he felt, nevertheless, a sort of proprietary interest in these ventures, and was pleased when they secured the approval of the public. Last night's opening, a musical piece by an American author and composer, had undoubtedly made a big hit, and Mac was glad, because he liked what he had seen of the company, and, in the brief time in which he had known him, had come to entertain a warm regard for George Bevan, the composer, who had travelled over from New York to help with the London production.
George Bevan turned the corner now, walking slowly, and, it seemed to Mac, gloomily towards the stage door. He was a young man of about twenty-seven, tall and well knit, with an agreeable, clean-cut face, of which a pair of good and honest eyes were the most noticeable feature. His sensitive mouth was drawn down a little at the corners, and he looked tired.
"Morning, Mac."
"Good morning, sir."
"Anything for me?"
"Yes, sir. Some telegrams. I'll get 'em. Oh, I'll GET 'em," said Mac, as if reassuring some doubting friend and supporter as to his ability to carry through a labour of Hercules.
He disappeared into his glass case. George Bevan remained outside in the street surveying the frisking children with a sombre glance. They seemed to him very noisy, very dirty and very young. Disgustingly young. Theirs was joyous, exuberant youth which made a fellow feel at least sixty. Something was wrong with George today, for normally he was fond of children. Indeed, normally he was fond of most things. He was a good-natured and cheerful young man, who liked life and the great majority of those who lived it contemporaneously with himself. He had no enemies and many friends.
But today he had noticed from the moment he had got out of bed that something was amiss with the world. Either he was in the grip of some divine discontent due to the highly developed condition of his soul, or else he had a grouch. One of the two. Or it might have been the reaction from the emotions of the previous night. On the morning after an opening your sensitive artist is always apt to feel as if he had been dried over a barrel.
Besides, last night there had been a supper party after the performance at the flat which the comedian of the troupe had rented in Jermyn Street, a forced, rowdy supper party where a number of tired people with over-strained nerves had seemed to feel it a duty to be artificially vivacious. It had lasted till four o'clock when the morning papers with the notices arrived, and George had not got to bed till four-thirty. These things colour the mental outlook.
Mac reappeared.
"Here you are, sir."
"Thanks."
George put the telegrams in his pocket. A cat, on its way back from lunch, paused beside him in order to use his leg as a serviette. George tickled it under the ear abstractedly. He was always courteous to cats, but today he went through the movements perfunctorily and without enthusiasm.
The cat moved on. Mac became conversational.
"They tell me the piece was a hit last night, sir."
"It seemed to go very well."
"My Missus saw it from the gallery, and all the first-nighters was speaking very 'ighly of it. There's a regular click, you know, sir, over here in London, that goes to all the first nights in the gallery. 'Ighly critical they are always. Specially if it's an American piece like this one. If they don't like it, they precious soon let you know. My missus ses they was all speakin' very 'ighly of it. My missus says she ain't seen a livelier show for a long time, and she's a great theatregoer. My missus says they was all specially pleased with the music."
"That's good."
"The Morning Leader give it a fine write-up. How was the rest of the papers?"
"Splendid, all of them. I haven't seen the evening papers yet. I came out to get them."
Mac looked down the street.
"There'll be a rehearsal this afternoon, I suppose, sir? Here's Miss Dore coming along."
George followed his glance. A tall girl in a tailor-made suit of blue was coming towards them. Even at a distance one
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