A Conjurers Confessions | Page 2

and facility of touch, rendering it easy for the artist to attend to several things simultaneously, while his hands were busy employed with some complicated task. This faculty I wished to acquire and apply to sleight-of-hand; still, as music could not afford me the necessary elements, I had recourse to the juggler's art, in which I hoped to meet with an analogous result.
It is well known that the trick with the balls wonderfully improves the touch, but does it not improve the vision at the same time? In fact, when a juggler throws into the air four balls crossing each other in various directions, he requires an extraordinary power of sight to follow the direction his hands have given to each of the balls. At this period a corn-cutter resided at Blois, who possessed the double talent of juggling and extracting corns with a skill worthy of the lightness of his hands. Still, with both these qualities, he was not rich, and being aware of that fact, I hoped to obtain lessons from him at a price suited to my modest finances. In fact, for ten francs he agreed to initiate me in the juggling art.
I practiced with so much zeal, and progressed so rapidly, that in less than a month I had nothing more to learn; at least, I knew as much as my master, with the exception of corn-cutting, the monopoly in which I left him. I was able to juggle with four balls at once. But this did not satisfy my ambition; so I placed a book before me, and, while the balls were in the air, I accustomed myself to read without any hesitation.
This will probably seem to my readers very extraordinary; but I shall surprise them still more, when I say that I have just amused myself by repeating this curious experiment. Though thirty years have elapsed since the time of which I am writing, and though I scarcely once touched the balls during that period, I can still manage to read with ease while keeping three balls up.
The practice of this trick gave my fingers a remarkable degree of delicacy and certainty, while my eye was at the same time acquiring a promptitude of perception that was quite marvelous. Presently I shall have to speak of the service this rendered me in my experiment of second sight. After having thus made my hands supple and docile, I went on straight to sleight-of-hand, and I more especially devoted myself to the manipulation of cards and palmistry.
This operation requires a great deal of practice; for, while the hand is held apparently open, balls, corks, lumps of sugar, coins, etc., must be held unseen, the fingers remaining perfectly free and limber.
Owing to the little time at my disposal, the difficulties connected with these new experiments would have been insurmountable had I not found a mode of practicing without neglecting my business. It was the fashion in those days to wear coats with large pockets on the hips, called a la proprietaire, so whenever my hands were not otherwise engaged they slipped naturally into my pockets, and set to work with cards, coins, or one of the objects I have mentioned. It will be easily understood how much time I gained by this. Thus, for instance, when out on errands my hands could be at work on both sides; at dinner, I often ate my soup with one hand while I was learning to sauter la coupe with the other--in short, the slightest moment of relaxation was devoted to my favorite pursuit.
II
"SECOND SIGHT"
[A thousand more trials of patience and perseverance finally brought to the conjurer a Parisian theater and an appreciative clientele. But he never ceased to labor and improve the quality of his marvelous effects.]
The experiment, however, to which I owed my reputation was one inspired by that fantastic god to whom Pascal attributes all the discoveries of this sublunary world: it was chance that led me straight to the invention of SECOND SIGHT.
My two children were playing one day in the drawing-room at a game they had invented for their own amusement. The younger had bandaged his elder brother's eyes, and made him guess the objects he touched, and when the latter happened to guess right, they changed places. This simple game suggested to me the most complicated idea that ever crossed my mind.
Pursued by the notion, I ran and shut myself up in my workroom, and was fortunately in that happy state when the mind follows easily the combinations traced by fancy. I rested my hand in my hands, and, in my excitement, laid down the first principles of second sight.
My readers will remember the experiment suggested to me formerly by the pianist's dexterity, and the strange faculty I succeeded in attaining: I could read