A Childs Book of Saints | Page 6

part; and yet again voices and instruments would blend in one indescribable volume of harmony, which made the huge pile thrill and vibrate from roof to pavement.
As Thomas listened, his eyes became accustomed to the celestial light which encompassed him, and he saw--he could scarce credit his senses that he saw--the little carved angels of the oak stalls in the choir clashing their cymbals and playing their psalteries.
He rose to his feet, bewildered and half terrified. At that moment the mighty roll of unison ceased, and from many parts of the church there came a concord of clear high voices, like a warbling of silver trumpets, and Thomas heard the words they sang. And the words were these--
Tibi omnes Angeli. To Thee all Angels cry aloud.
So close to him were two of these voices that Thomas looked up to the spandrels in the choir, and he saw that it was the carved angels leaning out of the spandrels that were singing. And as they sang the breath came from their stone lips white and vaporous into the frosty air.
He trembled with awe and astonishment, but the wonder of what was happening drew him towards the altar. The beautiful tabernacle work of the altar screen contained a double range of niches filled with the statues of saints and kings; and these, he saw, were singing. He passed slowly onward with his arms outstretched, like a blind man who does not know the way he is treading.
The figures on the painted glass of the lancets were singing.
The winged heads of the baby angels over the marble memorial slabs were singing.
The lions and griffons and mythical beasts of the finials were singing.
The effigies of dead abbots and priors were singing on their tombs in bay and chantry.
The figures in the frescoes on the walls were singing.
On the painted ceiling westward of the tower the verses of the Te Deum, inscribed in letters of gold above the shields of kings and princes and barons, were visible in the divine light, and the very words of these verses were singing, like living things.
And the breath of all these as they sang turned to a smoke as of incense in the wintry air, and floated about the high pillars of the Minster.
Suddenly the music ceased, all save the deep organ-drone.
Then Thomas heard the marvellous antiphon repeated in the bitter darkness outside; and that music, he knew, must be the response of the galleries of stone kings and queens, of abbots and virgin martyrs, over the western portals, and of the monstrous gargoyles along the eaves.
When the music ceased in the outer darkness, it was taken up again in the interior of the Minster.
At last there came one stupendous united cry of all the singers, and in that cry even the organ-drone of the crypt, and the clamour of the brute stones of pavement and pillar, of wall and roof, broke into words articulate. And the words were these:
Per singulos dies, benedicimus Te. Day by day: we magnify Thee, And we worship Thy name: ever world without end.
As the wind of the summer changes into the sorrowful wail of the yellowing woods, so the strains of joyous worship changed into a wail of supplication; and as he caught the words, Thomas too raised his voice in wild entreaty:
Miserere nostri, Domine, miserere nostri. O Lord, have mercy upon us: have mercy upon us.
And then his senses failed him, and he sank to the ground in a long swoon.
When he came to himself all was still, and all was dark save for the little yellow flower of light in the sanctuary lamp.
As he crept back to his cell he saw with unsealed eyes how churlishly he had grudged God the glory of man's genius and the service of His dumb creatures, the metal of the hills, and the stone of the quarry, and the timber of the forest; for now he knew that at all seasons, and whether men heard the music or not, the ear of God was filled by day and by night with an everlasting song from each stone of the vast Minster:
We magnify Thee, And we worship Thy name: ever world without end.

The Pilgrim of a Night
In the ancient days of faith the doors of the churches used to be opened with the first glimmer of the dawn in summer, and long before the moon had set in winter; and many a ditcher and woodcutter and ploughman on his way to work used to enter and say a short prayer before beginning the labour of the long day.
Now it happened that in Spain there was a farm-labourer named Isidore, who went daily to his early prayer, whatever the weather might be. His fellow-workmen were slothful and careless, and they gibed and jeered at his piety,