A Book of the Play

Dutton Cook
A Book of the Play

The Project Gutenberg EBook of A Book of the Play, by Dutton Cook
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: A Book of the Play Studies and Illustrations of Histrionic Story,
Life, and Character
Author: Dutton Cook
Release Date: February 22, 2005 [EBook #15151]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK A BOOK
OF THE PLAY ***

Produced by Jonathan Ingram, Riikka Talonpoika and the Online
Distributed Proofreading Team at http://www.pgdp.net

A BOOK OF THE PLAY
_Studies and Illustrations of Histrionic Story, Life, and Character._
BY
DUTTON COOK,
AUTHOR OF
"ART IN ENGLAND," "HOBSON'S CHOICE," "PAUL FOSTER'S
DAUGHTER," "BANNS OF MARRIAGE" ETC. ETC.
_THIRD AND REVISED EDITION._
In One Volume

London:
SAMPSON LOW, MARSTON, SEARLE, & RIVINGTON, CROWN
BUILDINGS, FLEET STREET.
1881.
CHARLES DICKENS AND EVANS, CRYSTAL PALACE PRESS.

PREFACE TO THE THIRD EDITION.
This book, as I explained in the preface to its first edition, published in
1876, is designed to serve and entertain those interested in the
transactions of the Theatre. I have not pretended to set forth anew a
formal and complete History of the Stage; it has rather been my object
to traverse by-paths connected with the subject--to collect and record
certain details and curiosities of histrionic life and character, past and
present, which have escaped or seemed unworthy the notice of more
ambitious and absolute chroniclers. At most I would have these pages
considered as but portions of the story of the British Theatre whispered
from the side-wings.
Necessarily, the work is derived from many sources, owes much to
previous labours, is the result of considerable searching here and there,
collation, and selection. I have endeavoured to make acknowledgment,
as opportunity occurred, of the authorities I stand indebted to, for this
fact or that story. I desire, however, to make express mention of the
frequent aid I have received from Mr. J. Payne Collier's admirable
"History of English Dramatic Poetry" (1831), containing Annals of the
Stage to the Restoration. Mr. Collier, having enjoyed access to many
public and private collections of the greatest value, has much enriched
the store of information concerning our Dramatic Literature amassed by
Malone, Stevens, Reed, and Chalmers. Referring to numberless
published and unpublished papers, to sources both familiar and rare, Mr.
Collier has been enabled, moreover, to increase in an important degree
our knowledge of the Elizabethan Theatre, its manners and customs,
ways and means. I feel that I owe to his archæological studies many apt
quotations and illustrative passages I could scarcely have supplied from
my own unassisted resources.
Some additions to the text I have deemed expedient. The few
errors--they were very few and unimportant--discovered in the first
edition I have corrected in the present publication; certain redundancies

I have suppressed; here and there I have ventured upon condensation,
and generally I have endeavoured to bring my statements into harmony
with the condition of the stage at the present moment. Substantially,
however, the "Book of the Play" remains what it was at the date of its
original issue, when it was received by the reading public with a
kindness and cordiality I am not likely to forget.
DUTTON COOK.
69, GLOUCESTER CRESCENT, REGENT'S PARK, N.W.

CONTENTS.

CHAPTER I.
PLAYGOERS

CHAPTER II.
THE MASTER OF THE REVELS

CHAPTER III.
THE LICENSER OF PLAYHOUSES

CHAPTER IV.
THE EXAMINER OF PLAYS

CHAPTER V.
A BILL OF THE PLAY

CHAPTER VI.
STROLLING PLAYERS

CHAPTER VII.

"PAY HERE"

CHAPTER VIII.
IN THE PIT

CHAPTER IX.
THE FOOTMEN'S GALLERY

CHAPTER X.
FOOT-LIGHTS

CHAPTER XI.
"COME, THE RECORDERS!"

CHAPTER XII.
PROLOGUES

CHAPTER XIII.
THE ART OF "MAKING-UP"

CHAPTER XIV.
PAINT AND CANVAS

CHAPTER XV.
THE TIRING-ROOM

CHAPTER XVI.

"HER FIRST APPEARANCE"

CHAPTER XVII.
STAGE WHISPERS

CHAPTER XVIII.
STAGE GHOSTS

CHAPTER XIX.
THE BOOK OF THE PLAY

CHAPTER XX.
"HALF-PRICE AT NINE O'CLOCK"

CHAPTER XXI.
THE DRAMA UNDER DIFFICULTIES

CHAPTER XXII.
STAGE BANQUETS

CHAPTER XXIII.
STAGE WIGS

CHAPTER XXIV.
"ALARUMS AND EXCURSIONS"

CHAPTER XXV.

STAGE STORMS

CHAPTER XXVI.
"DOUBLES"

CHAPTER XXVII.
BENEFITS

CHAPTER XXVIII.
THUNDERS OF APPLAUSE

CHAPTER XXIX.
REAL HORSES

CHAPTER XXX.
THE "SUPER"

CHAPTER XXXI.
"GAG"

CHAPTER XXXII.
BALLETS AND BALLET-DANCERS

CHAPTER XXXIII.
CORRECT COSTUMES

CHAPTER XXXIV.

HARLEQUIN AND CO.

CHAPTER XXXV.
"GOOSE"

CHAPTER XXXVI.
EPILOGUES

A BOOK OF THE PLAY.
* * * * *

CHAPTER I.
PLAYGOERS.
The man who, having witnessed and enjoyed the earliest
Continue reading on your phone by scaning this QR Code

 / 186
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.