A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three | Page 9

executed in lower-case roman letters, large and round. It abounds
with illuminations, of about two inches in height, and six in
length--running horizontally, and embedded as it were in the text. The
figures are, therefore, necessarily small. Most of these illuminations,
have a greenish back-ground. The armour is generally in the Roman
fashion: the helmets being of a low conical form, and the shields
having a large knob in the centre.
Next comes an Evangelistarium "seculo undecimo aut circà annum
1100:--pertinuit ad Monasterium Gengensbachense in Germania, ut
legitur in margine primi folii." The preceding memorandum is written
at the beginning of the volume, but the inscription to which it alludes
has been partly destroyed--owing to the tools of a modern book-binder.
The scription of this old MS. is in a thick, lower case, roman letter. The
illuminations are interesting: especially that of the Scribe, at the
beginning, who is represented in a white and delicately ornamented
gown, or roquelaure, with gold, red, and blue borders, and a broad

black border at bottom. The robe should seem to be a monastic garment:
but the figure is probably that of St. Jerom. It is standing before an
opened book. The head is shaved at top; an azure glory is round the
head. The back-ground of the whole is gold, with an arabesque border.
I wish I could have spared time to make a facsimile of it. There are also
figures of the four Evangelists, in the usual style of art of this period;
the whole in fine preservation. The capital initials are capricious, but
tasteful. We observe birds, beasts, dragons, &c. coiled up in a variety of
whimsical forms. The L. at the beginning of the "Liber Generationis,"
is, as usual in highly executed works of art of this period, peculiarly
elaborate and striking.
A Psalter, of probably a century later, next claims our attention. It is a
small folio, executed in a large, bold, gothic character. The
illuminations are entirely confined to the capital initials, which
represent some very grotesque, and yet picturesque grouping of animals
and human figures--all in a state of perfect preservation. The gold
back-grounds are not much raised, but of a beautiful lustre. It is
apparently imperfect at the end. The binding merits distinct notice. In
the centre of one of the outside covers, is a figure of the Almighty,
sitting; in that of the other, are the Virgin and Infant Christ, also sitting.
Each subject is an illumination of the time of those in the volume itself;
and each is surrounded by pencil-coloured ornaments, divided into
squares, by pieces of tin, or lead soldered. A sheet of horn is placed
over the whole of the exterior cover, to protect it from injury. This
binding is uncommon, but I should apprehend it to be not earlier than
the very commencement of the xvth century.
I have not yet travelled out of the twelfth century; and mean to give you
some account of rather a splendid and precious MS. entitled _Vitæ
Sanctorum_--supposed to be of the same period. It is said to have been
executed under the auspices of the Emperor Conrad, who was chosen
in 1169 and died in 1193. It is an elegant folio volume. The
illuminations are in outline; in red, brown, or blue--firmly and truly
touched, with very fanciful inventions in the forms of the capital letters.
The initial letter prefixed to the account of the Assumption of the Virgin,
is abundantly clever and whimsical; while that prefixed to the Life of St.

Aurelius has even an imposing air of magnificence, and is the most
important in the volume.
Here is a curious History of the Bible, in German verse, as I learn, by
Rudolph, Count of Hohen Embs. Whether "curious" or not, I cannot tell;
but I can affirm that, since opening the famous MS. of the Roman
d'Alexandre,[12] at Oxford, I have not met with a finer, or more
genuine MS. than the present. It is a noble folio volume; highly,
although in many places coarsely, adorned. The text is executed in a
square, stiff, German letter, in double columns; and the work was
written (as M. Le Bret informed me, and as warranted by the contents)
"in obedience to the orders of the Emperor Conrad, son of the Emperor
Frederick II: the greater part of it being composed after the chronicle of
Geoffrey de Viterbe." To specify the illuminations would be an endless
task. At the end of the MS. are the following colophonic verses:
_Uf den fridag was sts Brictius Do nam diz buch ende alsus Nach godis
geburten dusint jar Dar su ccc dni vnx achtzig als eyn har_.
the "ccc" are interlined, in red ink: but the whole inscription implies
that the book was finished in 1381, on Friday, the