ere i s f o r h er to tw is t b ack a nd f o rth r a th er th an u p a nd d ow n to g ra d ually s c re w h im
in d ele cta b ly d eep a nd ti g ht.
18
SE ESA W
L overs c an d iv vy u p th e a m oro us a cti o n b y g rin d in g in ta nd em - o ne p ush es u p a nd fo rw ard a s th e
o th er th ru sts d ow n a nd b ack. T he te am w ork w ill r e su lt i n e ach g ain in g f r o m th e o th er’s e ro ti c e ffo rts .
19
FR EEST Y LE
H e c an r o ck h er s id e to s id e o r u p a nd d ow n, ta kin g h is c ue c an h er — if s h e p ush es h er b ody in to
h im , s h e l ik es h is a ngle : i f s h e p ulls b ack, h e s h o uld tr y s o m eth in g e ls e .
20
LA DIE S F IR ST
H ere ’s h er o pportu nity fo r m ulti p le o rg asm s b y le tti n g h im fo cus e nti r e ly o n h er fo r th e fir s t ro und
b efo re th ey m ove o n to m utu al p le asu rin g.
21
RO LLO VER
R oll u p a nd o ver o r b ack a nd d ow n o n th e b all to f in d th e p erfe ct a ngle o f p enetr a ti o n.
22
TH E D IR TY T U RTL E
T his p ose i s a nyth in g b ut s lo w m ovin g, a s th e s ig ht o f h er b otto m c o m bin ed w ith th e v ib ra ti o ns o f h er
m outh w ill p ut h im o n th e f a st tr a ck to e csta sy .
23
TH E C ATA PU LT
S he’ll fe el lik e h e is s e nd in g h er fly in g a s h e p ulls h er u p in to th e a ir, b ut th e o nly th in g th at w ill g o
r o cketi n g i n th is p ose i s h er b lis s l e v el.
24
LA P D ANCE
F or s o m e fa st a nd fu rio us fu n, s h e c an lo w er h ers e lf o nto h im a nd g yra te a ro und in ti m e to h er o w n
b eat.
25
TH E C LA SSIC
T his tr a d iti o nal o ra l fa v orite is to ugh to lic k. W hile h e’s c o ntr o llin g th e a cti o n, h er h and s c an r o am
a nd c are ss th e r e st o f h is b ody to h is s p in e-ti n glin g d elig ht
26
TH E B IG D IP
H e c an u se th e e xtr a a ccess p ro vid ed b y th e o pen e d ge o f th e b ed to g o i n d
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