Flood Tide | Page 2

Sara Ware Bassett
poor so long as he has good friends."
"Oh, 'taint bein' poor I mind," laughed Willie, now quite himself again. "It's knowin' nothin' an' bein' nothin' that discourages me. If I'd only had the chance to learn somethin' when I was a youngster I wouldn't have to be goin' it blind now like I do. There's times, Celestina," added the man solemnly, "when I really believe I've got stuff inside me that's worth while if only I knew what to do with it."
"Pshaw! Ain't you usin' what's inside you all the time to help the folks of this town out of their troubles? I'd like to know how they'd get along if it warn't fur you. Ain't you doctorin' an' fixin' up things for the whole of Cape Cod from one end to the other, day in and day out? I call that amountin' to somethin' in the world if you don't."
Willie paused thoughtfully.
"I do do quite a batch of tinkerin', that's true," admitted he, brightening, "an' I'm right down glad to do it, too. Don't think I ain't. Still, I can't help knowin' there's better ways to go at it than blunderin' along as I have to, an' sometimes I can't help wishin' I knew what the right way is. There must be folks that know how to do in half the time what I do by makeshift an' fussin'. Sometimes it seems a pity there never was anybody to steer me into findin' out the kind of things I've always wanted to know."
Celestina began to rock nervously.
Being of New England fiber, and classing as morbid all forms of introspection, she always so dreaded to have the conversation drift into a reflective channel that whenever she found Willie indulging in reveries she was wont to rout him out of them, tartly reproaching herself for having even indirectly been the cause of stirrin' him up.
"Next time I'll set the chowder back on the stove an' say nothin'," she would vow inwardly. "I'd much better have waited 'til his dream was over an' done with. S'pose I am put out a bit--'twon't hurt me. If I don't care enough for Willie to do somethin' for him once in a while, good as he's always been to me, I'd oughter be ashamed of myself."
Hence it is easily seen that neither to Wilton in general nor to Celestina in particular was Willie Spence a trial.
No, it was to himself that Willie was the torment. "I plague myself 'most to death, Tiny," he would not infrequently confess when the two sat together at dusk in the little room that looked out on the reach of blue sea. "It's gettin' all these idees that drives me distracted. 'Tain't that I go huntin' 'em; they come to me, hittin' me broadside like as if they'd been shot out of a gun. There's times," ambled on the quiet voice, "when they'll wake me out of a sound sleep an' give me no peace 'til I've got up and 'tended to 'em. That notion of hitchin' a string to the slide in the stove door so'st you could open the draught without stirrin' out of your chair--that took me in the night. There warn't no waitin' 'til mornin'! Long ago I learned that. Once the idee has a-holt of me there's nothin' to do but haul myself out of bed, even if it's midnight an' colder'n the devil, an' try out that notion."
"The plan was a good one; it's saved lots of steps," put in Celestina.
"It had to be done, Tiny," Willie answered simply. "That's all there was to it. Good or bad, I had to carry it to a finish if I didn't sleep another wink that night."
The assertion was true; Celestina could vouch for that. After ten years of residence in the gray cottage she had become too completely inured to hearing the muffled sound of saw and hammer during the wee small hours of the night to question the verity of the statement. Therefore she was quite ready to agree that there was no peace for Willie, or herself either, until the particular burst of genius that assailed him had been transformed from a mirage of the imagination to the more tangible form of tacks and strings.
For strings played a very vital part in Willie Spence's inspirational world. Indeed, when Celestina had first come to the weathered cottage on the bluff to keep house for the lonely little bachelor and had discovered that cottage to be one gigantic spider's web, her initial impression was that strings played far too important a part in the household. What a labyrinthine entanglement the dwelling was! Had a mammoth silkworm woven his airy filaments within its interior, the effect could scarcely have been more grotesque.
Strings stretched from the back door,
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